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The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Senator Mel Martinez Papers, donated to the University of Miami in 2010, consist primarily of records created during Martinez’s service as a United States Senator for Florida from 2005 to 2009.  Comprised of 89 boxes, the collection includes legislative and committee files, schedules and appointments, correspondence with constituents and colleagues, speeches and floor statements, media coverage, casework files, campaign files, and administrative office records.  The collection also includes photographs, audiovisual materials, and electronic records that date primarily from 1998 to 2009, but also includes scans of photographs and memorabilia relating to Martinez’s childhood in Cuba and immigration to the United States.  Topics of research include American legislative history, Mel Martinez’s committee assignments, Florida projects, immigration, United States relations with Cuba, services for the elderly, and Florida’s environment, including issues relating to offshore oil drilling.

The collection contains 15 photographs of “The Fair”, 1 photograph of the Commodore Ralph Munroe Marine Stadium, 28 photographs depicting scenes and people in Miami and Key West, 1 photograph shot in Copenhagen, Denmark, 1 photograph shot in Greece, and 1 photograph shot in Santa Cruz, California .

“The Fair” is a collection of fifteen 9 x 12 inch prints depicting scenes from a fair. According to a description that accompanies the images, they embody “a sense of the dark, unknown, pockets of foreboding within the happy arena of a fair. It is a look into the dark recesses, the fake walls, the grungy barkers, the dangerous looking men that strap you into a ride.”  Scenes include rides, games, and food stands, as well as an aerial view of a fair. The images are printed on acid free paper using Epson Ultrachrome inks.

The image of the Commodore Ralph Munroe Marine Stadium is a 17 x 22 inch color print depicting grandstand seating overlooking the water. The stadium was constructed on Virginia Key in the 1964 and was initially used for powerboat racing. The stadium closed in 1992 following Hurricane Andrew.

The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

The Art in Miami collection contains brochures, flyers, exhibit catalogs, pamphlets, handouts, and other ephemera documenting art and art-related activities in Miami, with material going as far back as 1996. Included are items from galleries, such as the Alejandra von Hartz Gallery, the Miami International Airport Gallery, and Lowe Art Museum Gallery, as well as various other local museums, art fairs, shows, and the Wynwood Arts District. The collection also includes brochures, programs, maps, handouts, and ephemera from the Art Basel show in Miami Beach, beginning with Art Basel 2009.

Correspondence, broadsides, fact sheets, notices and publications pertaining to the advocacy work of the American Committee for the Protection of Foreign Born from 1964 to 1992. The documents reflect a concern for the rights of immigrants through letters of appeal and thanks, narratives of individual cases of deportation, invitations to rallies and educational conference on the “Bill of Rights” and the status of immigrants, permanent residents and naturalized citizens living in the United States. The organization’s literature also includes information on pertinent legislation such as the Walter-McCarran Act (no time limits on deportation and denaturalization), the Internal Security Act, the Kennedy-Feighan Bills (a time limit on deportation and denaturalization), the Nixon-Rodino Bill and the legal implications of “dragnet raids” of Latin Americans. Finally, the records from the 1970s also document the status of Mexican farm workers, issues of political refugees, and asylum rights of Haitians.

The Max Rameau papers (1992-2010) document his extensive activism for the homeless and the poor within the South Florida communities of the African diaspora. The collection  will be of interest to scholars and students of movements such as the Umoja Village, the Scott-Carver Tenant Council, Miami Dade Election Reform and Take Back the Land. The materials document advocacy work on behalf of people displaced from their homes as a result of  low income housing policies, gentrification, and the U.S. foreclosure crisis at the beginning of the 21st century.  The Max Rameau papers also point to connections between activist groups promoting the economic rights of the diverse constituency  of the African diaspora which reside in Liberty City and Little Haiti. Finally, the collection serves as a record of Mr. Rameau's work with organizations such as Brothers of the Same Mind,  the Haitian American Grassroots Coalition and the Center for Pan African Development.

Partially handwritten, partially typewritten, hand colored illustrated manuscript. Contains 24 watercolor illustrations. The manuscript contains two epistolary short stories written by Kate Whiting Patch. Both stories "A Garden Idyl" and "The Blue Bird's Return" were originally published in Harper's Magazine. Illustrator is unknown.

Contains typescripts and photocopies of open letters to the governors and representatives of the sovereign states from early to mid 1960s (letter numbers 2-40, 60, 63). All letters are penned by Mary Davison. Topics range from race relations to right-wing views on American history.

Palm cards, promotional pamphlets, ephemera, and booklets concerning events and exhibitions within the Miami art scene.

The Haitian Diaspora Oral History collection includes videos and selected transcripts of oral history interviews conducted with individuals of Haitian ancestry that are well-renowned in the world of the arts, community activism, civic leadership, and many professional organizations. The interviews were conducted by Kevin Mason, Lucrèce Louisdhon-Louinis and Béatrice Colastin Skokan.

The Aviation ephemera collection contains posters, reports, postcards, brochures, programs, pamphlets, and other ephemera from all parts of the globe relating to the subject of aviation and its vast history.