The papers consists of the legal files collected by lawyer Marc Jiménez during his work as a lawyer on the CABA v. Christopher case in 1994-95. The case determined the rights of tens of thousands of Cuban rafters who fled Cuba for the United States and were detained at the U.S. Naval Station at Guantánamo Bay, Cuba.
The Roberto Fabricio collection contains original audio recordings conducting while in Cuba and abroad, correspondence, and manuscripts for such works as The winds of December.
The Ariel Hidalgo Collection contains the writings of Cuban political prisoner Ariel Hidalgo that were secretly smuggled out of prison by the author. It includes articles, manuscripts, correspondence, and a curriculum vitae, as well as a copy of the 'Disidente' pamphlet and a detailed list of fellow political prisoners.
The Luis V. Manrara Papers contain the personal and professional documents of Cuban activist Luis Manrara (1907-2001).
The collection contains the personal and professional documents of Cuban activist Luis Manrara. They include news clippings, opinion pieces, correspondence, lecture and speech transcripts, magazine copies, and scholarly articles.
This collection documents the activities of Panart, a pioneering Cuban record label created by Ramón S. Sabat (1902-1986) in the 1940s. Panart sold millions of records worldwide and, according to Mr. Sabat, it was generally responsible for the extensive circulation of Cuban music around the world. The bulk of this collection consists of sound recordings in different formats: various phonograph record types, audiocassettes, reel to reel tapes and eight-track stereo tapes. In 1961, the Cuban government took over Panart's holdings in Cuba. Mr. Sabat and his family settled in the U.S. during the early 1960s, and they created a company in Miami that continued to distribute Panart recordings until the 1980s.
The Maximo Sorondo Collection contains the personal papers of Maximo Sorondo, who served from 1960 to 1965 as an ambassador for the Consejo Revolucionario Cubano. His papers include manuscripts, correspondence, reports, and several scrapbooks, which contain mostly newspaper clippings, some broadsides, and a few photographs.
The Rafael Urruela Collection contains personal papers from Rafael J. Urruela, the former director of the Foreign Office at New Orleans City Hall. It contains photographs, correspondence with US and Latin American leaders, and clippings on trade and diplomatic activities in New Orleans.
The papers consist of published and unpublished works by and about Varela Zequeira, noted Cuban physician and literary author of the late 19th and early 20th centuries. The collection also includes some materials of his granddaughter Beatriz Varela’s, primarily pertaining to her research for the biography she authored about Varela Zequeira.
The Julio Vera Collection contains documents from the sitcom Que Pasa, USA, on which Vera worked. It contains clippings, tickets, promotional material from the show, screenwriting correspondence, and a completed script for the episode "The Encounter."
The Antonio Arias Papers consists of circular letters, proclamations, statements, press releases, and other correspondence sent to Antonio Arias during the 1960s and 1970s by Cuban exile organizations. Some of these groups were paramilitary organizations engaged in subversive activities, such as Comandos Omega 7 and Joven Cuba Nacionalista. The collection also includes a copy of "Acta final de los diálogos celebrados entre el gobierno de la República de Cuba y personalidades representativas de la comunidad cubana en el exterior - los días 20 y 21 de noviembre y 8 de diciembre de 1978."
These materials were received and collected by Antonio "Cuco" Arias while a radio journalist at WFAB La Fabulosa, a Spanish-language radio station in Miami, Florida. Mr. Arias worked at various radio stations and went on to serve as an executive producer for television with Univisión, the Spanish-language media company.
The papers document professional and personal activities of a Chilean writer, Antonio de Undurraga. Materials include typescripts of his poems, essays, short stories and two novels: "Los dioses no dan la cara" and "El joven Jesus en Qumran", correspondence, clippings and pamphlets.
The Graciella Cruz-Taura Collection contains audio cassette recordings of interviews with Cuban historian Dr. Herminio Portell Vila; Amalia Bacardí, wife of Bacardí founder Facundo Bacardí Massó; and artist Félix Beltrán.
The collection also contains an audio recording of a lecture, "La novela testimonial en el exilio," offered by Rafael Saumell at the University of Miami's Graduate School of International Studies in March 1989.
The collections consists of 85 music records of Olga Guillot, a famous Cuban singer who was very well known around the world. This collection also includes 16 scrapbooks containing photographs, clippings, correspondence, and memorabilia of Olga Guillot. Olga Guillot left Cuba after Fidel Castro seized power in 1959.
The CID (Cuba Independiente y Democrática) Collection contains typescripts, pamphlets, brochures and reprints of materials from the exile nonprofit Cuba Independiente y Democrática, founded by Huber Matos in 1980.
The Humberto Mayol Photograph collection contains 34 black and white photographs of the Jewish community in Cuba taken by Havana-based photographer Humberto Mayol. These photographs were published in the book "An Island Called Home: Returning to Jewish Cuba" by Ruth Behar (Rutgers UP, 2007).
The papers document activities of Gustavo Gutiérrez y Sánchez, a prominent Cuban exile. In Cuba (before Castro) he was Secretary of Economy. He left Cuba in 1959, when Fidel Castro seized power, and went to Argentina, Mexico and finally to Miami where he died in August 1959. The materials include a typescript of "Exile" with original letters, photographs and documents compiled by Montalvo, a typescript of "Gromyko No Recibio Saludo" ( Un Error de la Associated Press) also compiled by Montalvo, Official Records of the Third Session of the General Assembly of the United Nations, Part II from 1949, and a pamphlet authored by Montalvo.
The papers consist of popular musical selections from Dominican Republic, including Fantasia by Manuel Emilio Garcia G. This score was based on works by various Dominican composers, and the principal theme came from the song "Maiba" by Diogenes Silva. The materials include four tapes, a manuscript of a score "Selecciones Populares Dominicanas" in 26 parts, Quartet for various instruments, a manuscript of a score titled "Marcha Triunfal" in 22 parts, and a manuscript of a score of Giselle Marie Vals.