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This collection contains various institutional research records, notes, and reports prepared by the Office of  Research and Sponsored Programs.

This collection contains materials pertaining to the University of Miami Division of Institutional Research.

This collection contains materials pertaining to the Beta Beta Beta National Honor Society.

The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Martha Frayde Barraqué Papers consist of letters from the Cuban painter Wifredo Lam (1902-1982) to Frayde dating between 1962 and 1966.  The collection also includes a group photograph of Lam and Frayde in Mexico in 1957.

The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.

The Laura Zarrabeitia Papers consist of four scrapbooks documenting her career as an actress in Cuba in the 1960s and 1970s.  The scrapbooks include photographs, theater programs, contracts, scripts, and clippings.

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The papers document professional activities of Blanca Varela in capacity of a soprano.  Her vocal range from mezzosoprano to soprano coloratura allowed her to sing parts for various operas, operettas and zarzuelas Cubanas.  The materials consist of theatre programs from her performances in operas, operettas and zarzuelas mostly in the Dade County Auditorium.  The collection also includes copies of photographs representing theatre performances with Blanca Varela singing in operas, operettas and zarzuelas for Teatro Nacional in Havana and for Cuban TV.  Moreover, the collection includes published scores with Varela's notes on them, manuscripts of musical scores, manuscripts of poems, L'Elisir D'Amore with annotations, newspaper clippings, a list of her recordings , a booklet describing her biography, and one letter.

The Senator Mel Martinez Papers, donated to the University of Miami in 2010, consist primarily of records created during Martinez’s service as a United States Senator for Florida from 2005 to 2009.  Comprised of 89 boxes, the collection includes legislative and committee files, schedules and appointments, correspondence with constituents and colleagues, speeches and floor statements, media coverage, casework files, campaign files, and administrative office records.  The collection also includes photographs, audiovisual materials, and electronic records that date primarily from 1998 to 2009, but also includes scans of photographs and memorabilia relating to Martinez’s childhood in Cuba and immigration to the United States.  Topics of research include American legislative history, Mel Martinez’s committee assignments, Florida projects, immigration, United States relations with Cuba, services for the elderly, and Florida’s environment, including issues relating to offshore oil drilling.

The papers document activities of Delfín Rodríguez Silva as a reporter. The bulk of materials includes two scrapbooks with articles published by newspapers, mostly in New York and in other North-Eastern cities in the United States, about various Cuban organizations during the early years of exile.  The materials also include a report written by Rodríguez Silva and clippings about Cuban birds.

The records consists of copies of the Notes taken by Francisco Xavier de Santa Cruz and his associates from Revista Registers and other sources.  The notes consist of alphabetically arranged indexes from the provinces of Las Villas, Matanzas, Camaguey, Habana, Oriente and Pinar del Río of marriages.  There are also genealogical notes on many surnames.

The collection contains 15 photographs of “The Fair”, 1 photograph of the Commodore Ralph Munroe Marine Stadium, 28 photographs depicting scenes and people in Miami and Key West, 1 photograph shot in Copenhagen, Denmark, 1 photograph shot in Greece, and 1 photograph shot in Santa Cruz, California .

“The Fair” is a collection of fifteen 9 x 12 inch prints depicting scenes from a fair. According to a description that accompanies the images, they embody “a sense of the dark, unknown, pockets of foreboding within the happy arena of a fair. It is a look into the dark recesses, the fake walls, the grungy barkers, the dangerous looking men that strap you into a ride.”  Scenes include rides, games, and food stands, as well as an aerial view of a fair. The images are printed on acid free paper using Epson Ultrachrome inks.

The image of the Commodore Ralph Munroe Marine Stadium is a 17 x 22 inch color print depicting grandstand seating overlooking the water. The stadium was constructed on Virginia Key in the 1964 and was initially used for powerboat racing. The stadium closed in 1992 following Hurricane Andrew.

The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.

Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.

The Art in Miami collection contains brochures, flyers, exhibit catalogs, pamphlets, handouts, and other ephemera documenting art and art-related activities in Miami, with material going as far back as 1996. Included are items from galleries, such as the Alejandra von Hartz Gallery, the Miami International Airport Gallery, and Lowe Art Museum Gallery, as well as various other local museums, art fairs, shows, and the Wynwood Arts District. The collection also includes brochures, programs, maps, handouts, and ephemera from the Art Basel show in Miami Beach, beginning with Art Basel 2009.

Correspondence, broadsides, fact sheets, notices and publications pertaining to the advocacy work of the American Committee for the Protection of Foreign Born from 1964 to 1992. The documents reflect a concern for the rights of immigrants through letters of appeal and thanks, narratives of individual cases of deportation, invitations to rallies and educational conference on the “Bill of Rights” and the status of immigrants, permanent residents and naturalized citizens living in the United States. The organization’s literature also includes information on pertinent legislation such as the Walter-McCarran Act (no time limits on deportation and denaturalization), the Internal Security Act, the Kennedy-Feighan Bills (a time limit on deportation and denaturalization), the Nixon-Rodino Bill and the legal implications of “dragnet raids” of Latin Americans. Finally, the records from the 1970s also document the status of Mexican farm workers, issues of political refugees, and asylum rights of Haitians.

The Max Rameau papers (1992-2010) document his extensive activism for the homeless and the poor within the South Florida communities of the African diaspora. The collection  will be of interest to scholars and students of movements such as the Umoja Village, the Scott-Carver Tenant Council, Miami Dade Election Reform and Take Back the Land. The materials document advocacy work on behalf of people displaced from their homes as a result of  low income housing policies, gentrification, and the U.S. foreclosure crisis at the beginning of the 21st century.  The Max Rameau papers also point to connections between activist groups promoting the economic rights of the diverse constituency  of the African diaspora which reside in Liberty City and Little Haiti. Finally, the collection serves as a record of Mr. Rameau's work with organizations such as Brothers of the Same Mind,  the Haitian American Grassroots Coalition and the Center for Pan African Development.

The papers of Norma Niurka (1942-2009), journalist, writer, and theater critic, include manuscripts, photographs, correspondence, clippings, video recordings, memorabilia, daybooks, and theater programs.  It also contains materials of Norma Niurka's aunt, the actress Miriam Acevedo.

The Guillermo Rosales Papers contain writings and personal effects of Guillermo Rosales (1946-1993), late 20th century Cuban writer and journalist.

The collection contains manuscripts for various novels written by Rosales, including Júralo por Stalin, El Bunker Fantasmaand El juego de la viola(1968), as well as articles and clippings written by and about him, respectively. The collection also contains correspondence; certificates and awards, including Rosales' first prize honor in the University of Miami's Letras de Oro literary competition; and an accompanying scrapbook with photographs of the event.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The Division of Communication Services slide collection consists of 35mm slides on University of Miami-related subjects, such as UM buildings, schools and departments, athletic programs, and events dating from the 1920s to the 1980s.

Partially handwritten, partially typewritten, hand colored illustrated manuscript. Contains 24 watercolor illustrations. The manuscript contains two epistolary short stories written by Kate Whiting Patch. Both stories "A Garden Idyl" and "The Blue Bird's Return" were originally published in Harper's Magazine. Illustrator is unknown.

The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá.  His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.

Contains typescripts and photocopies of open letters to the governors and representatives of the sovereign states from early to mid 1960s (letter numbers 2-40, 60, 63). All letters are penned by Mary Davison. Topics range from race relations to right-wing views on American history.

This collection contains records relating to the Teatro 8 theater company in Miami, Florida, run by the Hispanic Theater Guild organization. Items include theater ephemera and posters, audiovisual materials of performances, awards and certificates, financial records, clippings, scripts, scrapbooks, and promotional materials.

The Rogelio González Corzo Scrapbook collection contains a scrapbook with various clippings, photographs, and documents relating to the 1961 execution and observed rememberances of Cuban dissident Rogelio González Corzo.

Palm cards, promotional pamphlets, ephemera, and booklets concerning events and exhibitions within the Miami art scene.

Recorded interviews and transcripts of Rosenstiel School of Marine & Atmospheric Science Faculty and others discussing the school's history and it's future.

The Rosenstiel School History Committee, chaired by Dr. Robert N. Ginsburg, began producing an oral history of the Rosenstiel School in 1988 with a recorded conversation with the founder and first Dean, F. G. Walton Smith. Almost thirty senior scientific and technical staff members were interviewed on audio cassette tapes, and the tapes were transcribed by Elosie Zakevich and Jean Yehle, of RSMAS.

This collection consists of publications for the planning and building of Florida homes primarily, but not exclusively, targeted to returning war veterans.  The majority of the pamphlets and guidebooks in this collection were distributed through contractors, builders, and real estate agencies located primarily in the Florida region during the 1940s and 50s.

The Asela Torres Photography Collection contains digitized photographs and published materials featuring the photographs of Cuban-born theater photographer, Asela Torres.

This collection is divided into two series. Series I contains digitized photographs taken by Asela Torres at various theater events and performances. These digitized photographs are accesible through the University of Miami Digital Collections website. Series II contains original theater programs, pamphlets, and ephemera featuring photography by Torres.

The Jorge Castellanos Papers contain personal papers from the exiled Cuban professor and author Jorge Castellanos (1915-2011). The collection contains research notes, book manuscripts and copies of published works authored by Jorge Castellanos related to his research and writings.

This collection consists of academic bulletins created and published by University of Miami from 1926 to 2005. The UM academic bulletins serve as an aid for undergraduate and graduate students who need information about the university's academic programs and course listings.

This collection consists of the University of Miami's class schedules in print, which used to be published each semester by the Office of the Registrar.

The University Archives holds volumes from 1939 to 2004.  Some issues have been bound and titled "University of Miami Class Schedule" on spine.

In recent years, class schedules have become only available online.  Go to the link below for the last information.

http://myumnet.miami.edu/General/ClassSearch/ClassSearch.aspx

This collection contains newsletters, pamphlets, reports, and miscellaneous publications from the Center for Latin American Studies, focused on both Latin America and the Caribbean.

This collection contains videotapes of  Richter Library printed card catalog records provided by SOLINET in preparation for the change to an online catalog.

This collection contains past statistics reports generated for the Richter Library's Special Collections and University Archives departments.

The abolition of enslavement in Cuba took place gradually over the course of several years. In 1880, the Spanish colonial government instituted a system called patronato, loosely translated as "apprenticeship." Most of the workings of the enslavement system were preserved, but patrocinados, as former enslaved people came to be known, received a minimal set of legal rights and were to be paid a token wage. The transition to the patronato system was overseen by a provincial network of government agencies called Juntas de Patronato. The Junta Provincial de Patronato de Matanzas was created in 1880 when the Law of Patronato was passed. As a central body, it processed claims and cases from a series of local juntas throughout the province of Matanzas. The records in this collection contain official documents, correspondence between local juntas and the main junta, and tables reporting names or numbers of patrocinados. The collection also documents the cases of individual patrocinados who were trying to obtain their freedom through the provisions of the new law.

All of the materials in this collection have been digitized and are available through the University of Miami Digital Collections.

The Association of Hiroshima University donated five pieces of roof tiles to the University of Miami in January 2013, together with a letter from Hiroshima University's president, English brochures of the University, a picture book on the atomic bomb victims in Hiroshima and Nagasaki, and a picture book of the 2011 Tohoku Earthquake.

The tiles were collected from the bottom of Motoyasu River, which was ground zero of the atomic bomb explosion.  The largest roof tile measures 5 inches by 7 inches. Their safety is certified by the Institute of Radiation Effect (Japan) as a guarantee that they will not cause any health damage to humans.

The donor wished the tiles to be exhibited and used as an educational tool to spread the Association's call for everlasting peace and absolute opposition to nuclear weapons.  The University of Miami was contacted because it had sent Hiroshima University some seeds from a sabal palmetto tree in 1951 to help in greening the University grounds.

The Muriel M. Curtis scrapbook contains newspaper clippings, photographs, and several University of Miami publications and documents. She was a student of the university in 1937.

Elizabeth Erickson was an instructor in the University of Miami's physical education program during 1928 and 1931. Her collection contains black and white photographs of students and colleagues in the program, other UM-related subjects, and Miami.

There is also a 2-page essay titled "Physical Education Program, University of Miami, 1928-1931, Elizabeth (Betty) Erickson, Instructor" in the collection.  It was written especially for the UM Archives and received on March 31, 1975.

The Edmundo López papers contain correspondence, musical scores, diplomas, photographs and awards related to Cuban musician Edmundo López. Of note are a manuscipt musical score dedicated to Sindo Garay and correspondence and photos of López and Sindo Garay.

The collection contains materials on homecoming events at the University of Miami from 1968 to 1974. It includes photographs, posters, event proposals, and correspondence collected by Randy Femmer, who was Chairman of the Undergraduate Student Government of the university in 1967. The collection was donated by him to the University Archives on September 12, 1974.

The Martha Dorn collection contains an M-Club sweater, various University of Miami publications, a portrait, newspaper clippings, and other items of memorabilia. She was a student at the university from 1936 to 1940.