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The journal of Aaron Thomas is a 374 page leather-bound volume containing approximately 367 pages of handwritten material. The journal begins on June 15, 1798 and concludes on October 26, 1799, and chronicles the experiences and adventures of a British seaman serving in the Royal Navy aboard HMS Lapwing in the West Indies during the French Revolutionary wars. The journal contains insightful, first-hand accounts of naval operations, customs of the day, and humorous, detailed anecdotes involving shipmates and superiors. Thomas, who joined the navy in 1793, includes entries regarding the health and punishment of the men aboard ship, as well as his personal views on slavery, religion, and morality. With the exception of the final three pages, all entries are written in Thomas's hand.

The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.

The papers document professional activities of Andrés Nóbregas, theater director and playwright staging his plays in New York Theater of The Americas and at the Hispanic Theater Festival in Miami. He also wrote for television. The bulk of material includes manuscripts of plays and libretti either written or directed or acted by Andrés Nóbregas. Materials also include some invitations and clippings regarding Hispanic Heritage Week.

The Angel Gaztelu Papers contain poetry collected by Father Angel Gaztelu and articles written by him.

A 12 page manuscript entitled: The Bahama Island" by Capt. Basil Hall (1788-1844) of the Royal Navy.

This collection contains a manuscript written by Benito Gaudier entitled "Manual de la Pronunciación Inglesa," or Manual for English Pronunciation.

The papers document activities of Gustavo Gutiérrez y Sánchez, a prominent Cuban exile.  In Cuba (before Castro) he was Secretary of Economy.  He left Cuba in 1959, when Fidel Castro seized power, and went to Argentina, Mexico and finally to Miami where he died in August 1959.  The materials include a typescript of "Exile" with original letters, photographs and documents compiled by Montalvo, a typescript of "Gromyko No Recibio Saludo" ( Un Error de la Associated Press) also compiled by Montalvo,  Official Records of the Third Session of the General Assembly of the United Nations, Part II from 1949, and a pamphlet authored by Montalvo.

The Bertha Aldrich collection contains 2 letters and a manuscript of a book entitled " Florida Sea Shells," published by Norman S. Berg in 1936. The text offers scientific information and practical advice for the study of marine life, the identification of seashells along Florida beaches, and caring for shell collections.

This collection contains a short manuscript and 83 letters written predominantly by Boris Shabliovsky. The earliest letters were written in Warsaw, Poland, and the later ones in Havana, Cuba. Many of the letters are addressed to a Goldie Shapiro in Boston.

An autobiographical manuscript by Burton E. Eaton regarding his experience in the Korean War entitled: "A Survivor's Guide to War."

The papers document professional activities of Calixto Masó, Professor Emeritus at the Northeastern Illinois State College and Ex-Professor of the Faculty of Philosophy and Letters at the University of Havana. Materials include manuscripts and typescripts of writings on topics of Hispanic and Spanish culture, literature and history. Materials also consist of clippings, pamphlets, notes and correspondence.

This collection contains 26 bound and paginated 16th-century manuscripts describing contemporary conditions and military operations in the Canary Islands. It consists of a series of letters (15 items) and an assortment of other official documents (11 items). Twelve letters bear the imprimatur of King Philip II of Spain.

Primarily, the collection documents the administration of Lázaro Moreno de León, who served as governor of the islands of Tenerife and La Palma for two years (1582-1584). The last two items in the collection mark the end of Moreno de León's tenure and reference his successor, Juan Núñez de la Fuente, who served until 1589. Moreno de León appears in 18 of the items in the collection, either as subject or recipient (in the case of correspondence). However, the collection includes only one item bearing his signature: Item 18, authored by Diego de Ayala y Rojas, conde de la Gomera, and signed by Moreno de León as a witness.

During Moreno de León's tenure, an epidemic broke out on the island of Tenerife, causing considerable loss of life (documented at length in Item 22). The collection also reflects historical events following Spain's conquest of Portugal. During the dynastic crisis that followed the death of Portugal's King Sebastian in 1578, the throne was claimed by António, Prior of Crato, who was defeated by Philip II in 1580. By 1582, António had relocated to the Azores, where he attempted to establish a government in exile with the support of France. Item 3 provides a set of instructions for a dispatch boat that was sent to the Canary Islands that same year, after word of a possible attack by António. In early 1583, ships loyal to António did attempt an attack on the island of Gomera, but were repelled by local forces under the command of Ayala y Rojas and Moreno de León (documented in Items 18 and 19).

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The papers include correspondence with important Cuban, Spanish and Latin American writers, photographs, manuscripts, programs, pamphlets with printed poems and programs.  The writers discuss exile experience, existential topics and the solitude of a poet.

The collection documents the activities of Carmen Alea Paz relating to her literary career. It includes clippings of three published poems written by Carmen Alea Paz, manuscript of Jose Marti about the Cuban flag, articles, programs regarding Los Angeles Cultural festival and memorabilia.

The papers document professional activities of Carolina Garzón.  She taught mathematics in Elementary School and Social Studies in High School in Cuba since 1926.  In her capacity as a teacher, she collaborated on a book discussing the development of new programs in the Cuban Schools.  Garzón also worked as a Social Worker in Cuba in the 1950s, Miami and Tallahassee and as a supervisor of Pedro Pan program. 

The materials consist of those documenting Garzón's work as a teacher, and those reflecting her work as a social worker. They include correspondence, manuscripts of scholarly essays, social histories of Garzón's clients, a typescript of an essay "A Psychoanalyst's Observation During A Totalitarian Take-Over" by Dr. Gabriel Casuso Assistant Professor of Psychiatry at the Medical School of the University of Miami, which discusses Fidel Castro's revolution from Psychoanalytic perspective, bibliography of materials for Florida State University School of Social Work, a pamphlet on the destruction of private school system in Cuba, a published thesis titled "A Study of the Adjustment of Thirty Four Boys in Exile," photographs, a student card from Florida State University, clippings, miniatures of religious paintings and memorabilia.

The materials consist of research papers and tapes used by Marta Pérez to write her Ph.D. thesis: "The Varela Centers: An Immigrant Education Entry Program."  Pérez uses for her dissertation documents found in two Varela Centers in Miami, which offered education to the students coming from Guantánamo Base.  The documents include correspondence, financial records, research notes, reports, students' school work and photographs.

The Charles Creighton Collection contains an illuminated manuscript on parchment, signed by Charles VI, last of the house of Habsburg, Holy Roman Emperor and King of Bohemia and Hungary-Croatia. It was the property of Prince Max of Baden until the end of the first World War.

The 33-page manuscript measures 8 by 11 inches, with illuminated borders in red, blue, and gold, and an artistically designed title in black and gold of royal insignia surrounded by implements of war and the crown of the king. The manuscript is bound in a gilded hand-embroidered binding of decorative design with ornamental ribbon ties and tinsel fringes. It is attached with a gold braided cord is the Royal Seal of Charles VI, measuring 4 1/4 inches in diameter with the inscription "Carolus VI Romanorum Imperator S. A. Hispaniarum et utriusque Siciliae Rex." The seal is enclosed in a decorated silver case which is intended to rest in a circular compartment in the center of a tooled Viennese leather binding in which the manuscript reposes. The manuscript is written entirely in Latin and confers the title of Marquis on Honuphrium Ianno Ernandes Arias for "Militiaque multa suae Fides, Constantia Sapienta, ac Fortitudinis Specima edidissent..." (translation: In long military service he displayed Faith, Constancy, Prudence, and Courage...) To legalize the document, it is signed in the autograph of King Charles VI "Yo el Rey," below which are the signatures of noblemen and dignitaries of state.

Included also are 15 separate pages of manuscript written in Latin. These pages also refer to the Marquis and are dated in May of 1731. An unsigned manuscript by one of the Ianno family consists of 5 lines and is written in French.

The Charles Creighton Collection also contains high quality facsimiles of several historical predominantly French documents from the 17th and 18th century. These are: a letter pleading for a 3 day postponement of Louis XIV's execution by Louis XIV dated January 20, 1793; two letters informing French generals of the Waterloo victory by the Duke of Wellington, dated June 14 and June 20, 1815; Vice Admiral Horatio Nelson's unfinished letter to Lady Hamilton, dated October 19, 1805; Napoleon's appeal to England for protection after his defeat at Waterloo, dated July 13, 1815; a note written by Marie Antoinette written just before her execution in 1793; and the last letter written by Robespierre, unfinished due to his being shot, with bloodstains at the bottom of the letter, dated July 27, 1794.

The Charles T. Simpson collection contains photographs, account statements, letters, minutes, contracts, typescripts, articles, certificates, membership cards, manuscripts, notes, photocopies, and a plant specimen, which document the lengthy botanical and zoological career of the early 20th century naturalist.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

The Cronin papers consists primarily of Spanish poetry in manuscript form. However, there is also a notebook with personal reflections, a catalogue of "Teatro del Siglo XVI" (or 16th century theater), a list of authors and poems, cards with authors and poems, and a piece of sheet music.

The collection consists of 17 manuscript documents relating to Cuba, in particular to Captains N.G. and William Hichborn and their ship from Maine in the Cuban ports of Matanzas, Havana and Cardenas. The documents include handwritten correspondence, receipts and records relating to trade.

The Cuban Historical and Literary Manuscript Collection is comprised of original manuscripts from the 17th to the 20th centuries. Acquired as individual pieces or in small groups, this collection includes literary manuscripts, slavery sales and property documents, wills, and correspondence.

The records document the treatment of political prisoners by the communist regime within Cuban prisons.  The materials consist of 3 CDs: "Presidio Isla de Pinos." (Compiled by Raúl Pérez-Coloma) on February 10, 2010; "La Montaña. Canciones de lucha y esperanzas," by political prisoner, Manuel Villanueva.  Graphic design by Alejandro Deoliveira. Miami 2007; "La Verdadera República de Cuba" by Dr. Andrés Cao Mendiguren, 2009.  The first CD  contains names of more than 10,000 Cuban political  prisoners, case numbers and the place where they were imprisoned. The materials also include manuscripts of letters written in Cuban political prisons in small letter, typescript of "La etica en el camino de revolucion," and post cards created by political prisoners in prison.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

The Dora Plavetic collection consists of unpublished manuscript of a book titled "Orgullosamente balseros cubanos" written by Cuban rafters at Guantánamo Bay.  The manuscript includes drawings, caricatures and photographs.

The English Manuscript Collection contains 19th century official documents on vellum parchment. Included are 21 indentures, 7 last will and testaments, and 7 documents granting privileges to women in name of the 1833 "Act for the Abolition of Fines and Recoveries, and for the Substitution of more simple Modes of Assurance."

A growing collection of documents, photographs, and correspondence pertaining to the capture, purchase, bargaining, and freedom of enslaved people in Europe, Africa, and the Americas from the 18th to the 20th century. The collection contains a variety of petitions, contracts, estate settlements, and ephemera that record the activities of enslaved people during that era and illustrate the relationship between enslaved people and the people who enslaved them, as well as local government policy regarding enslavement and ownership in various parts of the Americas. Also included the collection are images and ephemera that feature racial caricatures, which were prevalent during their time of printing.

The papers document activities of Eugenio Castillo who was a lawyer and a Consul of Cuba before 1959.  He was associated with the following places: Cuba, London, New York, Paris and Baltimore.  The materials include correspondence with prominent Cuban figures including José Raul Capablanca, who was a Cuban chess player and a world chess champion from 1921 to 1927, Luis Machado and others, as well as, PelDrak Cuba Copper Products Corporation data and photographs, invitations, clippings, official papers signed by a president of the Republic of Cuba and memorabilia.

This collection consists of documents, books, and other materials written and collected by Cuban poet and writer Eugenio Florit. Materials include personal correspondence, along with professional correspondence pertaining to his work as a writer, translator, and professor at both Columbia University and Middlebury College.  It also includes published and unpublished works by Florit, clippings of newspaper articles by and about Florit, and research notes.  Travel is a recurring theme in Florit’s work, and this is visible in the abundant slides he has of his travels, and the travel diaries he kept. Mementos such as photographs, cassettes, awards, diplomas and memorabilia also make up a portion of the collection.

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

The Fidelia Righi papers contains a notebook of poetry, a series of handwritten pages on architecture with accompanying architectural sketches, six photographs from the Intercollegiate Cosmopolitan Club of the City of New York, a 1922 address by Harry E. Edmonds to the club called "The Ideals of International House," and a 1922 program for "European Night" held at the club.

The Frederick Charles Dyer Papers contains a manuscript and galley proofs for the 1965 book Bureaucracy vs. Creativity, co-authored with John M. Dyer.

The collection includes a substantial body of writings by George Merrick, known primarily as the founder of the city of Coral Gables in South Florida. In 1916, he married Eunice Peacock, granddaughter of Coconut Grove pioneers, Charles and Isabella Peacock. The correspondence, short stories, essays, manuscripts, poems, speeches, clippings, proposals and plans from the collection document the literary aspirations, as well as the real estate career of George Merrick.  His papers also include correspondence, clippings, photographs, scrapbooks, and ephemera from Eunice Peacock Merrick and other members of the Peacock and Merrick families. George Merrick’s close ties with the University of Miami and his contributions to the institution’s expansion are documented through correspondence, newspapers clippings, and ephemera. Finally, the collection includes extensive literature (newsletters and books) from the Rosicrucian and Christian Science communities. Please refer to the bibliography for a listing of the books.

George Augustus Moore (1852–1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist.

The George Moore Collection contains correspondence, an undated manuscript titled "Scenario," the galley proofs with corrections for his 1885 novel Mummer's Wife, and a typescript for his 1894 novel Esther Waters.

The correspondence consists of a series of letters and telegraphs between Moore and New York playwright and writer Edward Knoblauch (1874-1945), a letter from Moore to a "Nachey," several letters without a recipient name, two letters from D. M. Beth at Riverside Press Unlimited, a book printer from Edinburgh, discussing corrections on Moore's 1921 novel Heloise and Abelard.

Gertrude Jobes was born in Brooklyn, N.Y. in 1907, and is the author of a number of books including One Happy Family; Dictionary of Mythology, Folklore and Symbols; Outer Space; and The Motion Picture Empire. She often contributed her poetry to anthologies and avant-garde journals. She lated resided in Miami, Florida.

The Gertrude Jobes Collection contains typescripts and manuscripts by Gertrude Jobes. Included is an undated and unpublished 91 page typescript titled The Patriot and the Traitor: a tragi-comedy in three acts, an undated and unpublished typescript titled Tigers in the Bamboo Grove, assorted prose writings, and assorted poetry. Also included is biographical and genealogical data on Jobes, a sketch of Jobes,  and correspondence from the years 1965-1969, chiefly on the subject of the illness and death of her husband James A. Jobes.

This collection contains correspondence, manuscript drafts, notebooks, drawings, sketchbooks, photographs, planners, journals, college notebooks, and other ephemera from Gloria Grasmuck's notable life and career as an artist, writer, and translator.

The papers consist of the original manuscript of the short stories and poetry published under a title, A Refugee in America and written by Gustavo Duran.

Henry Reich, Jr. was a poet and author, member of the American Literary League, a previous New York secretary of the Rebel Poets, and a frequent contributor to newspapers and magazines. The collection predominantly consists of Reich's correspondence, and his poetry and articles. The form of these poems and articles range include manuscripts, typescripts, clippings, scrapbook compilations, and periodicals and books in which Reich's poetry appeared. Notably, four issues of The Jewish Forum from 1927 in which Reich was published are included.

Also included are several photographs of Reich.