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Photographs of post-hurricane damage after The Great Labor Day Hurricane of 1935.

The Abraham Schwaczkin collection consists primarily of Jewish cantorial sheet music and lyrics.

Also included are a birth certificate and marriage certificates of Schwaczkin, a 1953 copy of the B'nai B'rith messenger newspaper, a catalog, several yearbooks from Jewish congregations, a photograph, and a series of letters between Schwaczkin and a Mrs. Morrison from 1940.

The papers document personal and professional activities of Adria Catalá Casey, "Cuban Shirley Temple,"  who was also a dancer in Grupo Folklórico.  Grupo Folklórico was established by Ministry of Education of the Republic of Cuba in 1951 with the mandate to represent Cuba in official international events, including festivals.  In April of 1954, the group represented Cuba in the National Folk Festival founded by the National Association of the Folkloric Festivals of the United States and the newspaper St. Louis Globe-Democrat.  There are clippings and photographs in the papers that document Adria Catalá Casey's participation in this festival. The materials include three scrapbooks containing clippings, photographs, invitations, programs, two issues of Bohemia, correspondence, etc. regarding Adria Catalá, clippings and photographs of Grupo Folklórico from 1954, photographs of artists of the radio station CMQ, edited by Radio Emisora CMQ on June 5, 1938.

The Alan Crockwell Collection contains a variety of materials from different sources that document the history of Miami, Coconut Grove, Coral Gables, and greater Miami-Dade County. Much of the content is related to Ralph Middleton Munroe and his family. Topically, the papers also address criminal history in Miami-Dade County, historic buildings in Coconut Grove including the Barnacle and the Coconut Grove Library, the history of the University of Miami, and the early settling of Miami-Dade County. The dates of items range from 1873 into the 1970s.

A collection of 47 black and white prints (17 x 11 in.) of Alberto Sisso's photography. Notable prints include scenes around Venezuela, and prints from the following photo projects, "Metamorphosis," "Being There," and "Nuevos Espacios." Descriptions by Alberto Sisso for each photo project represented in this collection can be found below:

"Metamorphosis"

"The pictures on this series depict a group of artists getting ready for a play about the legacy of Florence Foster Jenkins. Ms. Jenkins was many things, but overall, she represents the freedom to be who you are. Although, she was the recipient of some of the silliest music criticism of all time; she became an icon for standing your ground regardless of what others might think.

These images take this message a step further by challenging traditional gender roles and emphasizing the universal themes of Jenkins' story. By casting men in the role of Jenkins, the images showcase the power of individual expression and the freedom to be oneself, regardless of gender identity or societal expectations. Men dressing as women in Latin America in the 1970s was not visible or accepted. These scenes were linked to an underground movement that supported the LGBTQ+ communities, and that often met with stigma and discrimination.

In Metamorphosis, I thrived to expose the deep melancholy of the moment, as well as the enduring love for the magnificent theatrical gesture. I looked for images that capture the bond between the artist and the person's essence. The looser frame allowed me to create compositions that transcended the image from its ordinary status into something unique. With each take I was hoping to deliver a particular emotion, kind of a blend of something classic with an everlasting experience. A way in which we can all see ourselves echoed in, not as a cliché nostalgic approach, but more in a reflective manner.

Depicted in these photographs are:

• Manuel Carvajal: stylist and make-up artist.
• Isabel Palacios: well-known mezzosoprano and director of several choruses.
• Francisco “Pancho” Salazar: director, musician.
• Alfredo Silva: poet.
• Jose “Cheo” Vaisman: pianist, director of Teatro Teresa Carreño."

"Nuevos Espacios"

"In the 1980s, the art scene in Caracas was booming, and the Contemporary Art Museum was at the forefront of the movement. Led by her director, Sofia Imber, the museum embarked on a much-needed expansion project, named Los Nuevos Espacios, which would go on to become an iconic institution in the city.

Imber was a trailblazer in the art world of Venezuela, and her dedication to promoting and supporting Venezuelan artists was evident throughout her career. Under her leadership, the Contemporary Art Museum became a hub for the country's avant-garde art scene, showcasing the works of both established and up-and-coming artists.

I had the privilege to document the night of the inauguration of Los Nuevos Espacios. It was a momentous occasion, and one that would go down in history. The walls of the museum were filled with the work of some of the most prominent artists of the time, including Alejandro Otero, Jesús Soto, and Carlos Cruz-Diez; and its corridors where packed with the best of the Venezuelan society. Representatives from the artistic milieu, politicians, entrepreneurs, and mainly art supporters and art lovers were present to bear witness of the making of the country’s modern history (the captions on each image list the names of some of the personalities in attendance).

Imber, beaming with pride, took the podium to give a speech, expressing her gratitude to everyone who had made the project a reality. For her, the expansion of the museum was more than just a physical transformation. It was a symbol of the evolution of Venezuelan society and the country's commitment to promoting and celebrating its cultural heritage. The museum was a testament to Imber's lifelong dedication to the arts and her unwavering belief in the power of creativity to transform communities. Imber's legacy continues to inspire and influence the arts in Venezuela, it lives on through the museum and the countless artists whose careers she helped launch. Sofía Imber was a visionary and true champion of the arts.

This series stand tall as a testament of the cultural memory of Venezuela, reminding future generations of the impact that Nuevos Espacios and Imber had on the art world."

"Being There"

"Jerzy Kosiński was a Polish-American writer who was known for his novels, including "Being There" and "The Painted Bird." In the 1980s, he was invited to Venezuela by the Diego Cisneros organization to participate in a cultural exchange program. As part of this program, Kosiński visited the Museo de Arte Contemporáneo in Caracas, which is one of the most important museums of contemporary art in Latin America, a must see stop and a city pride for all Venezuelans.

Kosiński's visit to Venezuela was part of a larger effort by the Diego Cisneros organization to promote cultural exchange between Venezuela and the United States. His visit to the Museo de Arte Contemporáneo was a significant cultural event, and it helped to strengthen the ties between the two countries in the realm of the arts. This series documents that visit."

Allison B. Curry, Jr. served as Director of Public Service for Coral Gables from 1934 to 1939. Between 1939 to 1942 he was promoted to city manager. In 1942 he left to hold this same post for the city of Miami. From 1946 to the end of his career he was Director of the Dade County Port Authority as well as of the Miami International Airport.

The Allison B. Curry collection contains diplomas, photographs, a brochure on the metric system, two metric rulers (one in a leather sleeve with his name in ink), metric converters, a lighter with his initials engraved and a case, and a cartoon of Curry signed by city employees.

This collection consists of the papers of Althea “Gerry” Lister from 1935 to 1997. It contains: biographical information pertaining to Lister’s 45 year career at Pan American World Airways; “Along Air Avenues,” an unpublished manuscript that provides a detailed account of Pan Am’s maintenance and safety operations; a list of survey and inaugural flights created by Lister; a list of McCoy print purchasers and prices created by Lister; and a chronology of Pan Am’s aircraft fleet created by Lister. The papers include certificates, correspondence, photographs, and press clippings.

This collection contains photo albums, interviews, the McCourt family tree, clippings, notes, correspondence, manuscripts, photo albums, resumes/CVs, legal documents, and other archival documents about Sue McCourt Cobb’s career as an American Ambassador to Jamaica (2001-2005) and the former Secretary of State of Florida (2005-2007) and her climb on Mt. Everest.

A typescript by Rudi Franke in which he narrates the journey to France of a German infantry during World War II. The document also includes photographs, maps and hand drawn sketches.

Andrew Giel visited Cuba as a tourist 10 times between September 1955 and December 1959, traveling as far as Trinidad in Santi Spíritus. Fifty years later, Mr. Giel printed 8 x 10 enlargements from the original transparencies. Those prints are found in this collection. They include views from across the island, including Havana, Trinidad, and Santiago de Cuba. The collection also includes color prints of the black and white photography and photographic reproductions of Cuban postcards from the 1950s.

The 1955 slides were made with an Argus C4 camera and the later slides with a Leica IIIF.

This collection contains scrapbooks, loose prints, and photo albums of Canada, Haiti, the Dominican Republic, Puerto Rico, Miami, Miami Beach, and other countries in South America and the Caribbean.

This collection includes regional and historic maps, original drawings, plans, elevations, photographs, and blueprints of residential and commercial architecture, community project plans, city/town plans, historic restoration plans and aerial photographs.  The bulk of the materials are focused on, but, not limited to the areas of Miami-Dade, Coral Gables, and Miami Beach.

In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.

In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.

This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.

The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.

The papers include letters from various prominent Cuban figures; among them Tomás Estrada Palma, Salvador Cisneros, Lola R. de Tió, Armando Menocal, Mario Menocal and others.  The materials also consist of newspaper clippings about sugar industry and some photographs.

Research material from noted author and historian, Arva Moore Parks McCabe (1939-2020). Born in Miami, Florida, Arva had written countless books on Florida's eclectic history, including The Forgotten Frontier: Florida through the Lens of Ralph Middleton Munroe, Miami, the Magic City, and George Merrick, Son of the South Wind: Visionary Creator of Coral Gables. She also served as chief curator, interim director, and chair of the Coral Gables Museum.

This collection focuses heavily on George E. Merrick, Coral Gables, and other research topics used in her writings. It also features a large assortment of archival material: booklets, books, magazines, posters, photographs, negatives, pamphlets, postcards, maps, ephemera, newspapers, and guides about Miami and other notable cities and famous people related to South Florida.

The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.

The records document activities of Asociación Cubana de Mujeres Universitarias.  The materials include minutes, financial reports, by-laws, correspondence, election advertisements, newspaper clippings, invitations and photographs.

The papers document the activities of the employees of El Encanto, an upscale department store in Havana before Castro's regime.  The materials include photographs, newspaper clippings, documents, correspondence, diplomas, advertising, tear sheets, store bags and envelopes and memorabilia, such as, albums of "El Encanto" and a DVD of photographs of "El Encanto".

The collection documents activities of Atalá Carranza Duarte in capacity of a teacher.  The materials consist of predominantly photographs of Atalá Carranza Duarte during her school years in Cuba, her professional career as a teacher in Distrito Escolar de Guanabacoa in the Provincia de la Habana, as well as, of her friends and family.

The Band of the Hour collection contains photograph albums, photographs, programs, certificates, sheet music, cards, newspaper clippings, memorabilia, plaque, posters, and other ephemera pertaining to University of Miami Frost School of Music's Band of the Hour.

This collection contains records from the Bascom Palmer Eye Institute Department of Ophthalmology, administrative documents, development documents, materials from the Eye bank, Allied papers, Edward W. D. Norton's papers, general files, architectural designs and planning documents, papers from other notable faculty and administrators, newsletters, promotional materials, photographs, awards, plaques, ephemera, and audio-visual materials.

The Beaux Arts collection consists of scrapbooks, newspaper clippings, brochures, photographs, and magazines related to the Beaux Arts Organization and the annual Beaux Arts Festival that takes place in South Florida, which is usually co-hosted by University of Miami.

This photograph collection includes portraits and group photographs by Bernard Iglesias of Cuban exile personalities primarily from Miami.

8 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

8 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

8 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

8 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

9 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

9 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

Born Linnea Eleanor Yeager in March 13, 1929, in Wilkinsburg, Pennsylvania, "Bunny" gained international fame as both a model and a photographer. She moved to Miami at a young age and first attracted local interest as a model, winning several pageants and gracing the pages of popular magazines. While she was modeling, she developed a knack for designing and sewing together her own bikinis, and her style became rather prolific in the fashion circuit for many years after.

Since creating portfolios was rather expensive while Bunny was trying to break out into the modeling industry, she was motivated to learn photography and took several night classes to hone her abilities and create her own portfolios. She eventually developed her signature method of photography that allowed her to take pictures of models using natural light through the "fill flash" method. Her style helped to reinvent the genre of nude and pin-up photography, taking it from its roots of overt raunchiness and elevating it into an art form that centered around playful sensuality and provocativeness. Her photos have been featured in Playboy, Redbook, Cosmopolitan, Esquire and many other big-name magazines, and she was also credited in helping to make Bettie Page into a household name as well as other famous pin-up models such as Lisa Winters. Her career also includes several self-penned books, including such titles as How I Photograph Myself, How to take Figure Photos, Photographing the Female Figure, and How I Photograph Nudes.

Bunny Yeager eventually passed away in May 25, 2014 in North Miami, but her legacy as one of the leading pioneers of pin-up photography remains. Her collection captures her eclectic history with an array of scrapbooks, correspondence, ephemera, photographs and clippings, all which illustrate her passion for her work.

The collection contains correspondence, photos, performance fliers, a plaque, and posters of dancer Caridad "Pitucha" Vega.

The collection contains digital photography created by Carl Moore on various trips to Cuba, including contemporary Cuban street scenes and portraits of dancers. Many of the photographs feature dancers from Compañía Codanza in Holguín. Other topics photographed include agriculture, nature and country life; baseball and sports; street vendors and the sugar industry; and transportation. Moore traveled throughout the island and photographed in the following cities and towns:
• Baracoa
• Bayamo
• Boca de Yumurí
• Camagüey
• Cienfuegos
• Gibara
• Guantánamo
• Guardalavaca
• Havana
• Holguín
• Isla de Juventud
• Las Tunas
• Manzanillo
• Matanzas and Varadero
• Moa
• Niquero
• Pinar del Río
• Remedios
• Río Cauto
• Santa Clara
• Santa Lucía
• Santiago
• Santo Domingo
• Sierra Maestra
• Trinidad
• Viñales

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The papers include correspondence with important Cuban, Spanish and Latin American writers, photographs, manuscripts, programs, pamphlets with printed poems and programs.  The writers discuss exile experience, existential topics and the solitude of a poet.

The papers consist of albums with photographs, clippings and memorabilia related to the 25th anniversary celebration of Spanish newspaper "La Tribuna de North Jersey". Carlos G. Bidot and his wife Lydia were the founders of this publication.

The Carlos Surinach collection contains a bound, autographed photocopy of the score to Symphonic Melismas by composer Carlos Surinach. Symphonic Melismas had its world premiere at the Festival Miami of 1993, sponsored by the University of Miami School of Music. Also included is a photograph of Surinach, two copies of the 1993 program, and a photocopy of a biography of Surinach.

The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.

The Carmen Puig papers document Carmen Puig's family ties to Jennings Cox, Puig's step-grandfather and the American credited with inventing the daiquiri cocktail. Cox was an engineer with Bethlehem Iron Works in charge of mines in Daiquirí, a town in Cuba's southeast region. Cox reportedly invented the famous daiquiri cocktail in 1898 by mixing together white Bacardi rum, mineral water, sugar, lemon juice, and crushed ice.

The Carmen Puig Papers include an original recipe for the daiquiri, while the bulk of the materials consist of family photographs. The papers also include some correspondence, clippings, and memorabilia; and materials related to Puig's career with the Bacardi company from 1965 to 1986.

A collection of books, photographs, scrapbooks, audio-visual and printed materials about the American novelist Carson McCullers. The research files were compiled by McCullers biographer and literary critic Virginia Spencer Carr.

Slides of Cay Bay, Film of Cay Bay models, and photographs of Cay Bay model.

The collection documents the professional activities of the Cuban singer Celia Cruz from the 1950s until 2003. The bulk of materials in this collection include photographs documenting Celia Cruz's career in Cuba, the U.S. and internationally. The collection also contains an important number of photographs and newspaper clippings about Celia Cruz’s funeral in July 2003. The materials include both old and recent newspaper clippings, as well as posters, magazines, invitations, correspondence, signed postcards, awards, and uncorrected page proofs for the book. The collection also contains important music scores: the instrumental parts for the arrangements of some of Cruz's major hits, written by some of the most important arrangers in Latin music, and one published music score. Additionally, the collection includes an array of items like a shoe, cassette tapes, a fan, CDs and a DVD.

This collection contains the records of the Charles Ives Centennial Festival that took place in Miami in 1974, celebrating the composer's 100th birthday. The collection includes correspondence that documents the planning process, programs for events celebrating Ives in Miami and elsewhere, articles and reviews, photographs, and official documentation.

The Charles T. Simpson collection contains photographs, account statements, letters, minutes, contracts, typescripts, articles, certificates, membership cards, manuscripts, notes, photocopies, and a plant specimen, which document the lengthy botanical and zoological career of the early 20th century naturalist.

The Civil Theatre of Greater Miami Records contains materials regarding the now defunct Miami Civic Theatre and the performances that were held there.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

Clipper Pioneers is an organization of former Pan Am pilots and flight crew. This collection includes Pan Am records such as memoranda, flight manuals, and accident reports as well as clippings, log books, pilot files, scrapbooks and photographs.

Photographs and records of the Miami food distribution company, 1938-1970s.

The Coconut Grove Playhouse records contain playbills, promotional/marketing material, posters, press releases, news clippings, financial files, grant files, personnel files, show and production files, play scripts, and audio-visual materials (photographs, CDs, vinyl records, floppy disks, VHS, film reels, betacam tapes, audiocassette tapes) pertaining to the theater's operation from the 1970s to its closing in 2006.

A comprehensive and eclectic collection of contortionist images. Subjects include contortionists performing before audiences; child contortionists; twin contortionists; families of contortionists; contortionists posing privately in apparent studio settings; in costume; in various states of undress; indoors and outdoors; etc.

Color and B&W reproductions of photos taken at the event; General Chappie James in attendance

17 assorted silver-gelatin prints related to CRB meetings and activities

Assorted silver-gelatin prints and several strips of color negatives related to CRB meetings and activities

16 assorted silver-gelatin and chromogenic prints related to CRB meetings and activities

Cuba Comunista is a short book of B&W photography published by Raul Sanchez depicting scenes of daily life in Cuba. Included in this folder are assorted B&W photographic negatives (35mm & 5 x 7), prints, and photocopy reproductions of photos all related to life in Cuba.

Collection consists of 34 photographic reproductions of images of Cuban hospitals and portraits of important figures in Cuban medicine such as Carlos J. Finlay.

The Cuban Museum of Arts and Culture Records contains institutional records and historial materials produced and/or collected by the Cuban Museum of Arts in Culture during its operation in the late 20th century in Miami.

The institutional records series consists of the operational records of the business activities of the Cuban Museum of Arts and Culture. Materials include financial records, official correspondence, board of directors meetings minutes, policies and procedures, exhibition planning documents, project proposals, artists' files, and resumes.

The historical materials series include paintings, lithographs, photographs, drawings by Cuban artists, original musical scores and songs, slides of art work, programs, clippings with reviews of exhibits, correspondence, posters, objects. The series also includes personal papers and photographs of Emilio Bacardí and other family members, which have been digitized on the University of Miami Digital Collections website. Other personal papers of note that have been arranged together include the personal papers of Carlos Hevia, Don Azpiazu, and Natalio Galán. Azpiazu's and Galán's papers include significant music holdings.

This collection is still in processing and updated container lists will be added as they are made available.

11 B&W 5 x 7 Acetate Negatives related to Cuban history. 3 B&W 5 x7 negatives related to the oceanliner St. Louis, Hamburg-America line. 1 B&W 5 x 7 negative Samuel Cohen and Sara Bernbenaste-Cohen at grandson's birthday c. 1963

"An archive containing material around the 1980s all-girl "punk-polka" band, Das Furlines, from New York. The lineup included Wendy Wild, Liz Luv, Holly Hemlock, Deb O'Nair (also of the Fuzztones), and Rachel Amodeo. Dubbed as an 'all-female quintet from N.Y.C. that derives their sound from a frothy blend of polka, bohemia, psychedelia, and dementia.' They released their debut album, Das Furlines Go Hog Wild, in 1985 on their own label, Palooka Records. During this time, they were also featured on Entertainment tonight and Andy Warhol's 15 Minutes.

Das Furlines garnered a reputation for sexually charged shows and their second album, The Angry Years, released in 1988 was 'an erotic concept album inspired by the self-help book Women Who Love Too Much.' They claimed to be 'healthier than slam dancing, sexier than a surf party, quicker than Schopenhauer.' The archive features professional photo shoot contact sheet and four 8"x10"  prints showing the women of the band posed presumably for cover art and publicity images. One of these photos has women posing with Frank Zappa. A smaller 5"x7" photo shows a close up of an androgynous woman in sunglasses singing. Also included is a zine entitiled "Das Furlines Cookbook" and includes "Das Furlines Data Sheers" with information about each member as well as recipes for the food and drink that each woman liked. One of the flyers advertises a Das Furlines show at the legendart punk venue, CBGBs, where they played alongside Vernon Reid's Living Colour, Rod & Cones, and the Wild Stares. In an article featured on a flyer maquette Wild says 'most of the time we wear these elaborate headdresses that we made with Viking horns on them, of a bunch of snakes like a Medusa crown, so we have our arts and crafts side to the band. And we wear a lot of fur and frilly Alpine beerhall maid type of things, like braids in our hair and that.' She continues, 'it's a real yuk 'em up kind of show, you know, like drinking down steins of beer and polkaing onstage. It's really flipped-out garage polka music... the grandparents will love it, the kids will scream, and the teens will go berserk.' The band disbanded in 1988 but reunited in 1996 as a benefit for Wendy Wild's medical bills during her battle with breast cancer which she ultimately lost later that year." -Between the Covers Rare Books

The Daughters of the American Revolution (D.A.R.) Coral Gables Chapter Records consists of scrapbooks, correspondence, photographs, clippings, awards, certificates, yearbooks, periodicals, and other documents pertaining to the chapter, ranging from 1926 to 2000. The scrapbooks document the affairs and activities of the chapter primarily by means of photographs and clippings, but often a contextual or historical narrative is added as well. A few materials, largely yearbooks of other chapters or conference proceedings, not specifically from the Coral Gables chapter are also included.

The David Ewen Collection consists of materials which pertain to several aspects of music, ranging from composers to opera houses and festivals, as well as his personal life and work. The papers follow the original order established by David Ewen.

The bulk of the collection contains information and some correspondence pertaining to American and foreign composers and serious and popular performers such as George Gershwin, Charles Ives, Igor Stravinsky, Gustav Mahler, Maria Callas, Bing Crosby, and other notable 20th century composers and performers.

The David L. Powell papers contain research files created for the production of the book "Ninety Miles and a Lifetime Away: Memories of Early Cuban Exiles." The collection contains audio recordings of interviews, physical and digital transcripts, manuscripts, and digital images of photographs and memorabilia, as well as permission documents collected during the interview process.

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

This collection contains memos, correspondence, application materials, scrapbooks, historical information, certificates, scholarships, invitations, and photographs documenting the history of the Delta Theta Mu University of Miami Chapter.

Dockmaster's Office Model Photos - Miami Beach Marina

The Dorothy E. Mills Flight Attendant papers contains materials related to her tenure as a stewardess of the Latin American Division and later chief stewardess of the Atlantic Division for the Pan American World Airways in the 1940s. Held in the collection are the following items:

Four letters by Mills to William Brown, Head of Special Collections in 1997, discussing the materials donated to the collection and her history with the Pan American World Airways.

An acceptance letter, an award letter (written and signed by founder Juan Trippe), and a resignation letter from Pan American World Airways.

23 8" x 10" photographs of Pan American World Airways flight attendants, with accompanying descriptions.

A scrapbook of clippings, photographs, and other materials by Mills about her life as a Pan American World Airways flight attendant

Two issues (including two duplicates) of Clipper Magazine, both containing articles about Mills.

Six newspaper clippings about Pan American World Airways.

The Dr. John Bitter collection contains materials documenting Bitter's career as a conductor and composer. The collection includes sheet music for several compositions by Bitter, as well as publications about the Frost School of Music at the University of Miami and a 1953 photograph of the University of Miami Orchestra at the Miami Beach Auditorium. Also included are numerous programs from the 1940s-1960s, including ones from the UM Symphony Orchestra, the Greater Miami Philharmonic, and the Berlin Philharmonic.

The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical  Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.

Dr. Murray Sanders was a physician and medical researcher with the University of Miami and Variety Children's Hospital. He was the former chairman of the Department of Medical Research of the University of Miami. His papers consist of correspondence, periodicals, essays, photocopies of articles and essays, and newspaper clippings regarding medical research. Also included are photographs and prints of Dr. Sanders, as well as a biography and a curriculum vitae.

The Dulce Beatriz papers contain photographs and other documents related to Cuban painter Dulce Beatriz (b. 1931) and her husband, Spanish flamenco guitarist Leonardo Beatriz. The papers consist of two scrapbooks and other materials. The first scrapbook documents professional activities of Dulce Beatriz, and contains photographs and other documents. The second scrapbook documents her husband's professional activities. It includes programs, a patent for a fabric stretching device, photographs and a biographical note on Mr. Beatriz. The collection also includes a box of clippings.

This collection largely contains materials and personal items from noted Eastern Airlines pilot, Arthur W. Dunlop, and his family members, Patricia H. Dunlop and Lorraine F. Dunlop. Contained within are Eastern Airlines documents, photographs, manuals, flight records, flight instruments; ephemera, VHS, vinyl records, pilot's wives' yearbooks, and news clippings; University of Miami pins, tags, ephemera, and Bachelor's certificate; family photographs, photograph albums, and drawings.

The E. G. Barnhill Collection contains negatives of Florida homes and birds, as well as glass plate negatives of Florida scenes. The collection also contains hand-colored postcards by Barnhill depicting Florida scenes (ca. 1910s-1930s), early Florida ephemera,  several biographical pages and scrapbooks put together by Barnhill with many resourceful historical clippings from the early half of the 20th century on pirates, Native Americans, archaeological exploits, early technology, and treasure hunting.

The papers consists primarily of photographs, including an album, of various University of Miami field classes in botany, zoology and marine biology. The collection also includes newspaper clippings featuring Dr. E.M. Miller, Head of the zoology department at the University of Miami.

From 1926 to 1991, Eastern Airlines had endured as one of the major and more well known airlines in the Americas. This collection captures important fragments of its long history and its influence on the airline industry through the eyes of its former employees and passengers. The materials contained within include: ephemera, 3D objects, uniforms, manuals, administrative files, photographs, albums, and other types of documents pertaining to Eastern Airlines.

Almost all items contained in this collection have been generously donated to the University of Miami by individuals donating on behalf of the Eastern Airlines Retiree Association [EARA], or former employees who have contributed to the collection on an individual basis.

Edison Marshall was an American adventure and fiction writer active during the 1920s to the 1960s.

The Edison Marshall collection contains six typescripts and an undated photograph inscribed to Dr. Archie McNeal, former dean of the University of Miami Libraries. The typescripts are as follows: A publisher's copy of The Conqueror (1962), a publisher's copy of Cortez and Marina (1963), an original and corrected copy of Cortez and Marina which is titled "The Serpent and the Sword," a publisher's copy of The Heart and the Hunter (1956), a publisher's copy of The Inevitable Hour (1957), and a publisher's copy of Princess Sophia (1958).

Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.

Elizabeth Erickson was an instructor in the University of Miami's physical education program during 1928 and 1931. Her collection contains black and white photographs of students and colleagues in the program, other UM-related subjects, and Miami.

There is also a 2-page essay titled "Physical Education Program, University of Miami, 1928-1931, Elizabeth (Betty) Erickson, Instructor" in the collection.  It was written especially for the UM Archives and received on March 31, 1975.

The Elizabeth Wright collection predominantly contains materials relating to Richard Wagner and family members. The materials cover a wide range, including memorabilia, such as a Wagner-themed card game and a ceramic plaque of Richard Wagner, an original note by Siegfried Wagner and facsimiles of letters by Wagner, original photographs of Wagner family members as well as facsimiles and prints of Richard Wagner and others, original advertisements and programs of Wagner's operas, a radio transcript and a typescript about Wagner's composition and staging, and a series of prints depicting scenes from Wagner's operas.

There are also several items not related to Wagner. These are a letter from W. Somerset Maugham, an autographed print of mezzo-soprano Mariana Paunova, and prints of other composers such as Beethoven, Mozart, Liszt, and Richter.

Enildo A. García was a Spanish and Latin American Literature professor at St. Francis College in Brooklyn, New York. His collection is comprised of research materials about the Guiteras family from Matanzas, Cuba. Writings, photographs, correspondence and some memorabilia of the Guiteras family are also included in this collection.

The collection contains original architectural renderings, working drawings, specifications, and photographs, as well as architectural plans and records of buildings such as Bacardi LTD.

A rich collection of graphic design prints, transparencies, sketches, mock-ups, and maquettes, as well as promotional materials (pamphlets, flyers, leaflets, brochures, advertisements) created by Erwin G. Harris and his design firm. Included within are commercial advertising materials for hotels, restaurants, and tourist attractions in Florida, other parts of the United States, Latin America, and the Caribbean; wines and spirits; and other companies, such as IGENE Biotechnology, Scopitone, and Mastro Plastics.

The collection also includes correspondence to and from Erwin G. Harris, photographs, advertisement proposals, resumes, biographies, portfolios and other documents pertaining to Harris and Company Advertising, and Inc. and Erwin G. Harris’ other businesses, along with legal documents, correspondence, and news clipping detailing Harris' feud with the Cuban government under Fidel Castro during the early 1960s.

The Eugene Dynner collection contains photograph albums, photographs, slides, negatives, and prints depicting historical Mayan sites such as the Altun Ha ruins in Belize, the Copán ruins in Honduras, the Quiriguá archeological site in Guatemala, various sites in the Yucatan peninsula in Mexico. The focus is on the sculpture and architecture found at these sites. Also depicted are the landscape, cities, and people of those countries in general.

Along with the photographic materials are a typescript by Eugene Dynner titled "Chinese Elements in Maya Art," and two issues of a periodical titled Muse News containing essays by Dynner.

The papers document activities of Eugenio Castillo who was a lawyer and a Consul of Cuba before 1959.  He was associated with the following places: Cuba, London, New York, Paris and Baltimore.  The materials include correspondence with prominent Cuban figures including José Raul Capablanca, who was a Cuban chess player and a world chess champion from 1921 to 1927, Luis Machado and others, as well as, PelDrak Cuba Copper Products Corporation data and photographs, invitations, clippings, official papers signed by a president of the Republic of Cuba and memorabilia.

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

The papers of Federico Sánchez Villalba contain letters, photographs, clippings costume and stage designs, as well as fashion designs and some original art work.

The Fidelia Righi papers contains a notebook of poetry, a series of handwritten pages on architecture with accompanying architectural sketches, six photographs from the Intercollegiate Cosmopolitan Club of the City of New York, a 1922 address by Harry E. Edmonds to the club called "The Ideals of International House," and a 1922 program for "European Night" held at the club.