The papers of Erl Roman, well known sport fisherman and skilled writer and publicist, provide information about the sport of angling and about the University of Miami's early years. The records, dated 1935-64, are divided into four series. SERIES I: CORRESPONDENCE and SERIES IV: SCRAP BOOKS, document Roman's fishing career as well as laws and events influencing the sport. SERIES II: TOPICAL FILES relate to fishing and to Roman's involvement with the University of Miami. SERIES III: PRESS RELEASES contains the press releases issued by Roman for the University of Miami Office of Public Information.
The A. Curtis Wilgus Papers document the pioneering efforts by historian and author A. Curtis Wilgus (1898-1981) in the area of Latin American studies and the emergence of "Pan Americanism." The correspondence, writings, research files, photographs and other materials also document the evolution of a trend in higher education during the 1920's and the 1970's, an increase in global awareness reflected in the introduction of "area studies" programs at many universities.
The J. Carlton Barnette Papers include two book-length manuscripts, two notebooks with research material, five short manuscripts with accompanying photographs, the contents of a photo album, and various other loose photographs, all related to Peru. The photographs in the manuscripts and those found loose in the collection are appendixed at the end. Those photographs in the photo album were not appendixed due to their organization in the album.
The Florida Photograph Album Collection collects assorted photograph albums in which the content predominantly depicts Florida. The photographs range from the 1880s into the 1970s, and depict St. Augustine, Palm Beach, the Everglades, Miami, Nassau, Key West, Tampa, Fort Lauderdale, Jacksonville, Lake Worth, Pensacola, Coconut Grove, and Palatka. Several photographs were taken in Havana, Cuba as well.
The Ethel E. Murrell Papers document the activities of the National Woman's Party (NWP) under her leadership from 1952-53. The files include correspondence, newsletters and other materials with other women's organizations including the General Federation of Women's Clubs, the World Woman's Party, the American Woman's Foundation, and the American Woman's Council. The papers document the cooperative efforts of these groups in working for the passage of the Equal Rights Amendment, including articles written from 1938 to 1953 publicizing the Amendment.
Charters, minutes, speeches, press releases, resolutions, and correspondence dated 1946-53 detail Murrell's efforts as a lawyer, writer and political organizer. The files also highlight NWP attempts to promote its agenda. The papers are significant as a record of activity during the 1940's and 1950's, years considered by many as a period of decline between the two larger feminist movements of the early twentieth century and the 1960's. The records also include references to cold war anticommunism. One letter of resignation, for example, dated June 17, 1953 expressed a sentiment characteristic of several members: "...I wondered...if the 'pinkos' had not taken over. I certainly do not want to be connected with any organization that does not stand for good Americanism."
Hy Gardner was a longtime Broadway and gossip columnist who worked for the New York Tribune, hosted a television show Glad You Asked That, and appeared as a panelist on To Tell the Truth. The collection consists of various documents from his work in the above ventures, correspondence, interview transcripts and cassettes, photographs, publicity, articles, memorabilia, and other archival materials.
Diaspora Vibe Cultural Arts Incubator was created to promote, nurture, and cultivate the visions and diverse talents of emerging artists from the Caribbean and the Latin American Diaspora through exhibitions, artists in residence programs, international exchanges, and education and outreach activities that celebrate Miami-Dade's rich cultural and social fabric. The Diaspora Vibe Cultural Arts Incubator records include the gallery's organizational records, administrative documents, artists' information, resumes, artists' profiles, programs, invitations, slides, catalogs, photographs, audio-visual materials (VHS tapes, CD-ROMs, CDs, audiocassettes), notes, and event ephemera.
A collection of photographs, negatives, prints, CD-Rs, and external hard-drives full of images taken by photographer, Lawson Corbett Little (1945-2023). Also included are some copies of Western Beat Entertainment newsletter, for which Little regularly provided photographs.
The personal papers of Frederick H. Koch, dramatist and educator, were donated to the University of Miami Archives by his son Fred H. Koch Jr., a Professor in Drama here at the University of Miami from 1939 to 1977. The collection was received in the early 1950's. Frederick H. Koch was a famous dramatist and gained fame from the founding of two major college theatre troupes as well as through his involvement in the production of native American folk drama.
The Frederick H. Koch Collection contains the personal papers of Frederick H. Koch and material he collected throughout his lifetime. The material extends from 1823 to 1947, with the bulk of the material concentrated in the period of time between 1905 and 1944. The bulk of the collection is composed of theatre programs collected by Koch. These come mainly from New York but there is a good selection of theatre programs from other parts of the United States. Many of these programs date prior to Koch's birth.
The personal papers are composed mainly of material from Koch's work as an English and drama professor at the University of North Dakota (1905-1918) and the University of North Carolina (1918-1944), including a large number of folk plays written by his students.
The correspondence in the collection is mainly correspondence within the Koch family, including many letters between Koch and his four sons: Robert, Fred Jr., Bill, and George.
Of special interest to the University of Miami is a folder containing material related to the University and the University of Miami Playmakers founded by Fred H. Koch Jr. in the 1940's.
The F. Charles Ruegg Papers consists primarily of correspondence, photographs, and notes from Ruegg’s employment with Pan American World Airways from 1940 to 1951. These materials primarily document his experience with Pan Am in Africa (PAA Africa) during World War II.
The Bailey Diffie Papers include manuscripts, notes, copies, correspondence, classroom materials, bibliographies and other materials related to Diffie's research, teaching and publications on Latin America and the Caribbean.
Photographer Richard Hoit came to Miami in 1914 when he was 27. Already an experienced movie and aerial photographer, his collection of photographs includes landscapes from diverse regions including Massachusetts, Vermont and Florida in the United States. In addition, Hoit traveled extensively in South America in the early nineteen hundreds. The images resulting from these travels are of people and scenery from Bolivia, Chile, Colombia, Ecuador, Mexico and Peru. Finally, the Richard Hoit Collection contains Hoit family photographs that span the period 1834 through 1973.
Gareth and Janet Dunleavy were historians of Irish literature and culture. The Gareth and Janet Dunleavy Collection was donated by Gareth and Janet Dunleavy in memory of Bernard Benstock, a colleague who served the University of Miami in many capacities.
The collection contains typescripts and articles by Gareth and Janet Dunleavy, as well as research materials for projects by both authors. Prominently featured are research materials on Mary Lavin, an Irish short story and novella writer who died in 1996. Of special interest among these research materials are copies of Lavin's working manuscripts, obtained by Professor Janet Dunleavy in the 1970s with the permission of Mary Lavin. Janet Dunleavy had planned a critical study of Lavin's work based on these materials, but had abandoned the idea. The collection also contains notes, letters, and other documents assembled during Gareth and Janet Dunleavy's preparation of their Douglas Hyde: A Maker of Modern Ireland (1991) and O'Connor Papers (1977).
The Walter Tennyson Swingle Collection contains research material and correspondence of Walter T. Swingle as well as translations and correspondence of Michael J. Hagerty. The Swingle portion of the collection is comprised of his articles, manuscripts, diaries, and most of Swingle's correspondence between 1885 and 1951.
The correspondence gives an overview of his botanical and plant introduction work as well as his personal life and travels. The bulk of the correspondence are letters from distinguished colleagues such as Herbert J. Webber, Dr. Beverly T. Galloway, W.A. Kellerman and others from the U.S. Department of Agriculture.
Also included in this group are correspondence between Swingle and David G. Fairchild, noted Florida naturalist and one of the men who conceived of a sub-tropical garden in Florida and for who Fairchild Tropical Garden in Miami, Florida is named. Their correspondence details an account of their collaborative work and friendship.
Swingle's research material includes notes, notebooks, and large number of first accounts of citrus in the Original Citrus Literature, containing a number of articles by Carolus Linnaeus.
Of special interest to the University of Miami is material dealing with Swingle's tenure as Consultant in Tropical Botany at the University, as well as some interesting material dealing with his U.S.D.A. work in Brazil in the 1930's.
The Hagerty portion of the collection consists most importantly of translations made by Hagerty of Chinese accounts on botany for the Swingle's work in the Department of Agriculture. It includes a very large translation of the Chinese accounts of citrus from the Chinese Imperial Encyclopedia which is over 500 pages long and very important to Swingle's study of citrus. Also in this portion are found a very large amount of correspondence between Hagerty and Swingle which details most of their work together for the U.S.D.A.
The papers of the ALA (Agencia Latinoamericana) are divided in 3 major categories: the articles written by the contributors to the ALA (collected during almost 40 years), their correspondence, and the newspaper clippings of those articles.
The writers are mainly from Latin American countries and Spain, but with a few American and British writers also included, such as Waldo Frank and Hugh Thomas. The articles provide information on literature, journalism, sociology, economics and political history of the major powers of the world of that period, and in many cases relating to the Latin American countries.
The bulk of the collection is comprised of contributions from Víctor Alba, Marco A. Almazán, Luis Araquistain, Paul Andrade, Germán Arciniegas, Carlos Alberto Montaner, Ramón Gómez de la Serna, Julian Marias, Cristina Martin, Alberto Luis Sanchez, Salvador de Madariaga, Ramón Sender and Arturo Uslar Pietri. There are also articles by other distinguished authors, such as Miguel Angel Asturias, Alberto Baeza Flores, Alejandro Casona, Pablo Neruda and Alfonso Reyes.
Included among the ALA papers are articles written by Joaquín Maurín, who used the pen names of W.K. Mayo and Félix R. Anderson. He also wrote under the pen names of John Andersen and Julio A. Roy, but these articles ore not included in this collection. When signing correspondence, he used his own name, Joaquín Maurín, as well as J.M. Juliá and Ray Campbell. Joaquín Maurín's son, Mario, wrote some articles under the same pen name as his father, John Andersen.
The Leonard Albasi/Gill Family Collection contains eight copy negatives and ten copy prints of 1937 photographs of American pilot Amelia Earhart at an unidentified airfield, probably Miami's Municipal Field. In 1937, Earhart made her second attempt at flying solo around the world. Her preparations included a stop between March 22nd and 31st, at Miami's Municipal Field near today's Opa-Locka Airport. After leaving New Guinea on July 2, 1937, Earhart disappeared over the Pacific Ocean.
The papers of Romanian artists Ticu Aramescu and his sister, Gigi Aramescu Anderson, contain exhibit programs, newspaper clippings, photographs of Gigi's paintings and of Ticu's sculptures. Newspaper clippings from Crónica, The Miami News, and Romanian newspapers, dated 1966-1981, cover exhibitions of the artists' works.
Exhibition programs from the Norton Gallery and Miami Museum of Modern Art document individual and joint showings. The papers also contain photographs of Ticu Aramescu's sculptures and of Gigi's paintings. Photographs also include several of Gigi Aramescu's presentation at Drury College in Springfield, New Jersey as well as sculpture and paintings from her home. Titles identify most of the photographed artworks.
The Franklin Q. Brown Papers consist primarily of letters written by railroad executive Brown in 1898 while he served as colonel of the Florida State Militia during the Spanish-American War. The collection also contains clippings, photographs, and a dinner menu.
The collection contains the personal papers of Louis J. Hector, in the form of clippings, invitations, letters, memorandum, notebooks, photographs, and reports. Prominently represented are files pertaining to the University of Miami, the Southeast Banking Corporation, Pan American World Airways, Inc., the Civil Aeronautics Board, the National Endowment for the Humanities, the National Gallery, the National Humanities Center, and the Academy of Arts and Sciences.
“In his adopted home of South Florida he imaged a cuisine that would wed the raw and rustic powers of the diverse immigrant cultures that comprise the population there to the classic techniques of gastronomy that have survived the test of time and trends. The revolution for a new style of cooking was born and Norman christened it a 'New World Cuisine.'” - Norman Van Aken, Correspondence, 1993 December 2.
A 2016 MenuMasters Hall of Fame Inductee, noted restauranteur, and the first chef to use the term "fusion cuisine" in its modern definition, Norman Van Aken (1951- ) is a celebrity chef primarily known for his "New World" fusion cuisine. Drawing from the flavors and culinary traditions of Latin America, the Caribbean, North America, Asia, and Africa, his impact on the culinary arts has been internationally recognized since the start of his career. His culinary influences on Florida's own local cuisine and restaurant culture are still observable to this day, especially to those who dine nightly at his Orlando restaurant.
This collection serves as a meaningful look into his career as a chef and culinary expert, and his personal life as a man with a deep interest in his family's past and present. The Norman Van Aken papers include documents, correspondence, photographs, manuscript drafts, menus, ephemera, recipes, and more, which showcase the personal life and professional career of one of South Florida's most celebrated chefs. Researchers with an interest in gastronomy, the history of South Florida's restaurant and food culture during the 1990s-2000s, or interpersonal relationships between celebrity chefs, may find this collection useful in their studies.