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"Archive of letters between members of the Michelsen and Havens family, including correspondence from Kate C. Havens, a prominent female theosophist from Miami, Florida and Cloudland, Geogia. Approximately 75 letters plus newspaper clippings, ephemera, and a sketch book containing costume designs by Cleo Michelsen. The majority of these letters are addressed to Cleo Michelsen, a young lady, who is interested in the arts and would eventually marry Auriel Bessemer, a noted muralist of the New Deal. Cleo came from a well-established family from Miami. The letters are written from her brothers, sisters, parents, and grandparents. The family is well-educated, and the letters are articulate and well-written.

However, with the Depression looming over the country, her family is is in the midst of a crisis. Cleo's father has seen his business fortunes plummet, and he and Cleo's mother have separated. Her father eventually moves to Cuba where he attempts to revive his holding company. Her mother stays in Florida but is in terrible financial straits. One of Cleo's sisters writes regarding the lack of money and her mother's impoverished state - one which forces her to go days without eating.

In addition, as mentioned above, Cleo has been courted by Auriel Bessemer, who she meets in art school. A promising artist himself, they go on to marry in 1935. During the New Deal, Auriel was commissioned by the Treasury Department to create seven murals - "Historical and Industrial Scenes - Sketches of Virginia," for the first federal building in Arlington. The murals were conserved in 2007, and today, they remain in their permanent home in the U.S. Post Office Building in Arlington.

Most importantly, in this collection are a series of letters from Cleo's grandmother, Kate C. Havens, who splits her time between her home in Miami, Florida and a mountain retreat in Cloudland, Georgia. Mrs. Havens originally hailed from Chicago and was a prominent voice in the Theosophy movement of the time, delivering lectures, writing articles and becoming acquainted other notable theorists, including Anne Besant and Max Heindel. In Miami, she continued her involvement with Theosophy becoming the president of the newly formed Theosophical Society there in 1919. She was a free and very liberal thinker and also became heavily involved in the Women's suffrage movement, eventually becoming an officer on the legal status of women in the Florida State League of Women Voters.

Havens has a great affection for Cleo and writes her interesting heartfelt letters, which are mostly always infused with a Theosophical bent, injecting her views on spirituality and orientalism, providing her opinions on important theosophical readings, reporting upon her lectures given to the Theosophical Society in Miami, and giving accounts of two fascinating meetings with Pearl Buck and Dr. Alvin Kuhns." -Denning House Antiquarian Books & Manuscripts

This collection contains news clippings, correspondence, pamphlets, and government proceedings compiled by Gregory Bush, who served as an Associate Professor of History and Director of the Institute for Public History at the University of Miami prior to his retirement in 2018. Topics covered in this collection include anti-communism, the Cold War, Civil Rights, the Ku Kluk Klan, and the NAACP's (National Association for the Advancement of Colored People) activities in South Florida.

This archival collection features several materials of personal interest gathered and collected by Kenneth W. Goodman, PhD, FACMI, FACE, the founder and director of the University of Miami Miller School of Medicine’s Institute for Bioethics and Health Policy and director of the university’s Ethics Programs and Professor of Medicine with appointments in the Department of Philosophy, School of Nursing and Health Studies and Department of Public Health Sciences. Featured within his collection are NASA press kits and press releases, particularly pertaining to the Apollo 11 moon landing, the Apollo-Soyuz Test Project, NASA transportation shuttles, and other related NASA projects. Furthermore, there are also political ephemera, one photograph, and one news clipping housed inside his collection.

This collection documents the career of the University of Miami President Henry King Stanford (April 22, 1916 – January 1, 2009). Contained within are correspondence to and from Henry King Stanford, newspaper clippings, photographs, speeches, research files, scrapbooks, ephemera, and memorabilia that once belonged to him.

Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."

The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.

"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.

These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'

Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.

An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books

Jeanne Perkins Harmans was a journalist and writer residing in the Virgin Islands of the United States. The collection consists of materials from and regarding the Virgin Islands on a wide range of issues in the late 1950s and early 1960s, including political conditions and controversies, tourism, description of the islands, and race and sexuality concerns on the islands. Many of the items consist of correspondence with and type-written notes by Harmans, or clippings from newspaper articles by Harmans and others; but there are also reports, periodicals, brochures, bibliographies, and maps. Some of the correspondence concerns Harmans's publishing activities, including that of a 1691 book titled "The Virgins: Magic Islands." A signed copy of this book was contained in the collection, but later separated out and housed with the Special Collections monographs.

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

Larry Thompson was a humorist and columnist who wrote and reported for the Miami Herald for 28 years. His column, "Life with Larry," tackled topics such as politics, daily life, local history, and events. This collection contains clippings of his work written by him from 1956-1973, all arranged chronologically.

This collection contains news clippings, periodicals, reports, memos, correspondence, minutes, notes, research, and transcriptions pertaining to the Miami Snowplow Company.

The collection consists of nine scrapbooks with newspaper clippings, photographs, memorabilia, folders and correspondence documenting personal and professional activities of Frank Trelles, the chairman of the "Big Five Clubs," the largest private clubs in Havana, which included Havana Yacht Club, Miramar Yacht Club and Vedado Tennis Club.  Materials also document swimming competitions.

The Congress for the New Urbanism (CNU) Records Collection includes annual conference programs, promotional materials, attendance lists, correspondence, audio visual recordings, research project materials, publications, award submission packets, award programs, and administrative files relating to the CNU’s annual congress meeting, annual Charter Awards, board meetings, research projects, and CNU publications. The records cover the organization's activities between 1991 and 2017.

The Elián González Collection consists of copies of newspaper clippings and court orders documenting the case of the Cuban refugee child Elián González.  In 1999 when he was five years old, González was rescued at sea off the Florida coast. His mother had drowned during their passage from Cuba on a raft.  Relatives in Miami took custody of him and fought to keep him in the United States instead of being returned to Cuba with his father. In addition to clippings, the collection also includes memorabilia and photographs.  Clippings have been added to the collection following up on González, who returned to Cuba with his father in April 2000 after a months of court cases and protests in Miami's Cuban-American community.

The papers of Cuban actress Yolanda Arenas include primarily photographs, clippings, and  programs of theater productions in which Arenas performed. Folders for a few productions include scripts with annotations by Arenas.  The collection also contains headshots and other portraits and audio and video recordings.

The papers of José Antonio Font document primarily his activities in Cuban exile initiatives and organizations such as Agrupación Abdala, the Cuban American National Foundation, and Alianza Democrática Cubana.  The bulk of the materials in this collection pertain to the latter organization.

The Florida Ephemera collection contains posters, political tracts, programs, pamphlets and other ephemera relating to the history of Florida.

The Beaux Arts collection consists of scrapbooks, newspaper clippings, brochures, photographs, and magazines related to the Beaux Arts Organization and the annual Beaux Arts Festival that takes place in South Florida, which is usually co-hosted by University of Miami.

This collection contains a scrapbook kept by George "Curley" Edwards, a student at the University and a member of the first football team, along with a blanket with the UM logo, a belt, and assorted newspaper clippings.