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The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

Contains typescripts and photocopies of open letters to the governors and representatives of the sovereign states from early to mid 1960s (letter numbers 2-40, 60, 63). All letters are penned by Mary Davison. Topics range from race relations to right-wing views on American history.

The papers document professional and personal activities of a Chilean writer, Antonio de Undurraga. Materials include typescripts of his poems, essays, short stories and two novels: "Los dioses no dan la cara" and "El joven Jesus en Qumran", correspondence, clippings and pamphlets.

The papers document activities of Gustavo Gutiérrez y Sánchez, a prominent Cuban exile.  In Cuba (before Castro) he was Secretary of Economy.  He left Cuba in 1959, when Fidel Castro seized power, and went to Argentina, Mexico and finally to Miami where he died in August 1959.  The materials include a typescript of "Exile" with original letters, photographs and documents compiled by Montalvo, a typescript of "Gromyko No Recibio Saludo" ( Un Error de la Associated Press) also compiled by Montalvo,  Official Records of the Third Session of the General Assembly of the United Nations, Part II from 1949, and a pamphlet authored by Montalvo.

The papers document activities of Matías Montes-Huidobro in a capacity of a critic, playwright and a professor of the Department of European Languages of the University of Hawaii. The materials include typescripts of Montes-Huidobro's play "Exilio," and of his essay, "Claves Significativas de la Literatura Cubana Siglos XVII, XVIII y XIX," as well as, clippings, booklets with writings by Montes-Huidobro and Theatre programs.

The papers document the professional activities of Armando Álvarez Bravo in his capacity as an art critic for El Nuevo Herald, and as a poet, writer and professor of journalism at the Koubek Memorial Center. Bulk of material consists of typescripts of his articles for El Nuevo Herald and newspaper clippings of his articles. The material also includes typescripts of interviews conducted by Álvarez Bravo with writers and painters, correspondence, typescripts of complete collection of poems by Álvarez Bravo both published and unpublished, a conference paper and photographs from his birthday celebration. In his interviews Álvarez Bravo discusses both the artistic vision of writers and painters and their personal lives.

The collection consists of two typescripts from between 1939 and 1941: "Historia de la Literatura Hispano-Americana" and "Literatura Cubana" written by Dr. Raimundo Lazo for courses he taught at the Cooperative Estudiantil "E. J. Varona" in Havana, Cuba.

The collection consists of correspondence from a Cuban writer, Anita Arroyo to Julia Rodríguez Tomeu, letters from Cuban intellectuals, which were part of a personal archive of Dr. Néstor Carbonell, who was an Ambassador of Cuba in Buenos Aires, typescript of a play and short story by Rodríguez-Tomeu.

A typescript of : "Carl Ruggles: a Memoir by a Former Student, Ralph Nelson." The collection also includes a copy of "Carl Ruggles: Composer, Painter and Storyteller." by Marilyn J. Ziffrin.

This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.

Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.

Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.

The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.

The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."

Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.

Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."

The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.

Charles Arnould Hentz (1827-1894) was a physician practicing in the rural South in the years leading up to and through the Civil War. Dr. Hentz is famously known for his diary that he kept for more than twenty years, which depicts the demanding work of a physician in an age before medicine could reliably cure patients. The collection contains a two-volume carbon typescript of his autobiography that he penned at the end of his life. Also included is a pamphlet titled "Le Conventionnel Hentz Depute de la Moselle," translated into English, about Nicolas Hentz, a député of the Moselle to the French National Convention.

R. A. Seymour was a Wing Commander from the Royal Air Force. The collection contains photographs and memoirs Seymour's training at the Pan American Training Academy at the University of Miami during World War II.

Sidney Serebreny was a technical supervisor from 1941 to 1960 for the Pacific Alaska Division for the Pan American World Airways, Inc. The Sidney Serebreny Papers contains a typescript by Serebreny titled "Tailwind."

The Billy Matthews collection documents the work of Terry Miller and Terry Helbing co-founders in the 1980's of the Meridian Gay Theater Production Company in New York. The archives include typescripts, clippings, articles, contact lists, reviews, and research files on various plays, theatrical history, and playwrights. The correspondence reflects the administrative history of the Meridian Gay Theater.

The Frost Museum of Science had originally opened in 1950 under the name the Junior Museum of Miami and has since underwent several renovations and relocations. It had also been renamed in 1952 as the Museum of Science and Natural History and once again renamed in 2011 after Phillip and Patricia, two wealthy and influential Miami philanthropists who have donated and supported various educational institutes and museums throughout South Florida, including the University of Miami. In its current inception, the Frost Museum of Science is located in Downtown Miami's waterfront Museum Park and offers a variety of STEM (Science Technology Engineering and Math)-based exhibits, lectures, and shows. It is particularly well-known for hosting the show Star Gazers with Jack Horheimer (formerly Jack Horheimer: Star Hustlers and Jack Horheimer: Star Gazer).

This collection includes typescripts for the Star Gazers (Star Hustler) planetarium show, research files, exhibit files, exhibit prints, convention proceedings, pamphlets, historical news clippings, ephemera, periodicals, scrapbooks, photographs, event files, administrative records, and other archival documents pertaining to the Frost Museum of Science's day-to-day operations.