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The papers document professional activities of Calixto Masó, Professor Emeritus at the Northeastern Illinois State College and Ex-Professor of the Faculty of Philosophy and Letters at the University of Havana. Materials include manuscripts and typescripts of writings on topics of Hispanic and Spanish culture, literature and history. Materials also consist of clippings, pamphlets, notes and correspondence.

The papers document activities of Miguel Olba Benito in a capacity of an Executive Secretary of Human Rights Cuban Commission.  The materials include correspondence, clippings, documents, memorabilia, magazines and typescripts of writings on topics of the treatment of political prisoners in Cuba, presence of the Soviet military in Cuba and the atrocities of the communist regime in Cuba.

The materials consist of correspondence, photographs, interviews, statistics, and pamphlets about Catholic education in Cuba collected in research for the book "About Catholic Education in Cuba, 1582-1961."

The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.

Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.

Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.

The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.

Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.

The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.

The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.

The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.

The papers document professional activities of Carolina Garzón.  She taught mathematics in Elementary School and Social Studies in High School in Cuba since 1926.  In her capacity as a teacher, she collaborated on a book discussing the development of new programs in the Cuban Schools.  Garzón also worked as a Social Worker in Cuba in the 1950s, Miami and Tallahassee and as a supervisor of Pedro Pan program. 

The materials consist of those documenting Garzón's work as a teacher, and those reflecting her work as a social worker. They include correspondence, manuscripts of scholarly essays, social histories of Garzón's clients, a typescript of an essay "A Psychoanalyst's Observation During A Totalitarian Take-Over" by Dr. Gabriel Casuso Assistant Professor of Psychiatry at the Medical School of the University of Miami, which discusses Fidel Castro's revolution from Psychoanalytic perspective, bibliography of materials for Florida State University School of Social Work, a pamphlet on the destruction of private school system in Cuba, a published thesis titled "A Study of the Adjustment of Thirty Four Boys in Exile," photographs, a student card from Florida State University, clippings, miniatures of religious paintings and memorabilia.

Dr. L. A. Hodson was a Miami ophthamologist who had a strong interest in zoology. Dr. Hodson, a friend of professor of zoology and University of Miami president Jay F. Pearson, ventured on a number of trips to the Bahamas (a few times with Pearson) where he discovered a number of new species and collected hard to find species. These he donated to the University of Miami.

The L. A. Hodson collection contains clippings about these expeditions; correspondence; much of which concerns the securing of his visit, the donation, and an exhibit on the Cat Turtle that was set up at Tufts College Medical School; a photograph of Hodson taken by Pearson, and two typescripts: "The Discovery of the Cat Turtle," and "Notes on the Discovery and Biology of Two Bahaman Fresh-water Turtles of the Genus Pseudemys," the latter of which was co-written by Pearson.

The Eugene Dynner collection contains photograph albums, photographs, slides, negatives, and prints depicting historical Mayan sites such as the Altun Ha ruins in Belize, the Copán ruins in Honduras, the Quiriguá archeological site in Guatemala, various sites in the Yucatan peninsula in Mexico. The focus is on the sculpture and architecture found at these sites. Also depicted are the landscape, cities, and people of those countries in general.

Along with the photographic materials are a typescript by Eugene Dynner titled "Chinese Elements in Maya Art," and two issues of a periodical titled Muse News containing essays by Dynner.

The papers consist of typescripts and hand drawn maps for her biographical work on telegraph innovator Cyrus W. Field, stage actor Joseph Jefferson, the pirate Sir Francis Drake, U.S. governor Sam Houston and civil war officer David Glasgow Farragut to name a few.

Edison Marshall was an American adventure and fiction writer active during the 1920s to the 1960s.

The Edison Marshall collection contains six typescripts and an undated photograph inscribed to Dr. Archie McNeal, former dean of the University of Miami Libraries. The typescripts are as follows: A publisher's copy of The Conqueror (1962), a publisher's copy of Cortez and Marina (1963), an original and corrected copy of Cortez and Marina which is titled "The Serpent and the Sword," a publisher's copy of The Heart and the Hunter (1956), a publisher's copy of The Inevitable Hour (1957), and a publisher's copy of Princess Sophia (1958).

A typescript by Rudi Franke in which he narrates the journey to France of a German infantry during World War II. The document also includes photographs, maps and hand drawn sketches.

The Joan Sturhahn Papers contains a typescript with corrections of her 1976 work Carvalho, Artist-Photographer-Adventurer-Patriot: Portrait of a Forgotten American. This typescript, however, is titled "Solomon Nunes Carvalho, Recorder of History with Brush and Lens, 19th Century American Scene."

Also included is a note from Sturhahn to Dr. Charlton Tebeau that accompanied the typescript sent to him.

The Lou E. W. Miller Papers contains a University of Miami thesis written by Lou E. W. Miller titled "Florida in Fiction," written under the sponsorship of William Hudson Rogers.

Liam O'Flaherty (1896 – 1984) was an Irish novelist and short story writer and a major figure in the Irish Renaissance. The Liam O'Flaherty Papers contains one unpublished and undated 7-page typescript by O'Flaherty titled "Morals." The typescript contains hand-written corrections and marginalia. The typescript comes in a hardcover folder titled "Liam O'Flaherty Typescript of The Moralist (Unpublished)."

This collection consists of an undated, unpublished typescript by Clark Daniel Stearns, U.S. Naval Officer and former Governor of the American Samoa. The typescript is titled "American Samoa."

The Cesare Emiliani Papers contains Dr. Emiliani's documents from his time spent at the University of Miami Rosenstiel School of Marine and Atmospheric Sciences, from 1957 until his retirement in 1993. The documents consists of correspondence, memorandums, reports, proposals, typescripts, periodicals, photocopies, minutes, newspapers, and a scrapbook of photographs.

George Augustus Moore (1852–1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist.

The George Moore Collection contains correspondence, an undated manuscript titled "Scenario," the galley proofs with corrections for his 1885 novel Mummer's Wife, and a typescript for his 1894 novel Esther Waters.

The correspondence consists of a series of letters and telegraphs between Moore and New York playwright and writer Edward Knoblauch (1874-1945), a letter from Moore to a "Nachey," several letters without a recipient name, two letters from D. M. Beth at Riverside Press Unlimited, a book printer from Edinburgh, discussing corrections on Moore's 1921 novel Heloise and Abelard.