Drawings related to Havana, Cuba, made by students as part of the final class assignment for ARC 521 The Architecture of the American Cities, section titled the Architecture of the Cuban Cities: La Habana. Introductory page in Spanish listing the drawings and individual students credited for each.

The collection contains digital photography created by Carl Moore on various trips to Cuba, including contemporary Cuban street scenes and portraits of dancers. Many of the photographs feature dancers from Compañía Codanza in Holguín. Other topics photographed include agriculture, nature and country life; baseball and sports; street vendors and the sugar industry; and transportation. Moore traveled throughout the island and photographed in the following cities and towns:
• Baracoa
• Bayamo
• Boca de Yumurí
• Camagüey
• Cienfuegos
• Gibara
• Guantánamo
• Guardalavaca
• Havana
• Holguín
• Isla de Juventud
• Las Tunas
• Manzanillo
• Matanzas and Varadero
• Moa
• Niquero
• Pinar del Río
• Remedios
• Río Cauto
• Santa Clara
• Santa Lucía
• Santiago
• Santo Domingo
• Sierra Maestra
• Trinidad
• Viñales

The Gladys Pérez collection documents the career of journalist Gladys Pérez. It contains reel-to-reel audio tapes and interview transcripts that she conducted with Cuban musicians.

Reproductions of historic maps & postcards depicting urban Havana; includes presentation boards for sites in El Vedado and El Malecon.

The Herman Beller Photograph Collection contains photograph of metal works done by Herman Beller's (1899-1972) Havana, Cuba-based company, Industrias Unidas de Cuba. The photographs detail works in parks, schools, and public areas and buildings all installed during the 1920s to 1950s. Several small examples of metal pieces cast by Beller are also included in the collection.

The Humberto Mayol Photograph collection contains 34 black and white photographs of the Jewish community in Cuba taken by Havana-based photographer Humberto Mayol. These photographs were published in the book "An Island Called Home: Returning to Jewish Cuba" by Ruth Behar (Rutgers UP, 2007).

The collection contains one letter from Julio Yelua [?] to Alberto Vazquez, 1960; six photographs, including two of Varadero Beach (1918-1921), a photograph of the University of Havana School of Medicine Class of 1923 standing in front of “Kasalta” restaurant in Havana (1940), two group portraits, and an image of the Florida Havana Railroad Car Ferry (undated); and one reproduction of the seal of the University of Havana. The items were inherited by the donor from her great-uncle, Dr. Adolfo Bock.

Joaquín de Yturralde y López Silvero was the Consul of Spain in Havana in the 1920s during the presidencies of Dr. Alfredo Zayas and General Gerardo Machado y Morales. His papers contain correspondence from 1925 to 1926 and other materials such as invitations, programs, and financial records.

This collection documents the activities of Dr. Frederick Solomon, a progressive rabbi in the Cuban-Jewish community of Havana, Cuba. The collection includes correspondence between Dr. Solomon and members of The World Union for Progressive Judaism in London, England, as well as articles, manuscripts of sermons, and outlines of religious services authored by Dr. Solomon for the United Hebrew Congregation at Temple Beth Israel, home to the Centro Macabeo de Cuba, dating from 1953 to 1960. The collection also contains two pamphlets for Jewish events held at Hebrew Union College’s Jewish Institute of Religion in Cincinnati, Ohio, in 1975 and 1976.

The Senour Family collection contains photographs and postcards from Havana, Cuba.

The Tom Pohrt photograph collection includes photographs from Cuba in the 19th and 20th century collected by Mr. Pohrt: albumen prints, including a group of images from an album dating from 1859 through the early 1860s of the lighthouses of Cuba and attributed to the studio of C.D. Fredricks; daguerreotype, ambrotype, carte de visite, and cabinet card portraits, the earliest dating from about 1845; stereographs taken by George Barnard around 1863; over 200 glass stereographs from the late 1890s to the 1920s; and 35 color slides from the 1940s.  Barnard’s images include several prints that are among the earliest known photographs documenting slavery in 19th-century Cuba.

The Tria Giovan photograph collection contains ten (10) archival pigment prints from the the "The Cuba Archive, 1990 - 1996," series.