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    <eadid identifier="ArchonInternalCollectionID:797" countrycode="US" mainagencycode="US-US-FQG" url="https://atom.library.miami.edu/index.php/asm0436" encodinganalog="identifier">ASM0436</eadid>
    <filedesc>
      <titlestmt>
        <titleproper encodinganalog="title">Alfred Reed papers</titleproper>
      </titlestmt>
      <publicationstmt>
        <publisher encodinganalog="publisher">University of Miami Special Collections</publisher>
        <address>
          <addressline>1300 Memorial Drive</addressline>
          <addressline>Coral Gables</addressline>
          <addressline>FL</addressline>
          <addressline>United States</addressline>
          <addressline>33146</addressline>
          <addressline>Telephone: (305) 284-3247</addressline>
          <addressline>Fax: (305) 284-4027</addressline>
          <addressline>Email: asc.library@miami.edu</addressline>
          <addressline>https://library.miami.edu/specialcollections/</addressline>
        </address>
        <date normal="2018-05-18" encodinganalog="date">2018-05-18</date>
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      Generated by Access to Memory (AtoM) 2.4.0      <date normal="2020-09-09">2020-09-09 19:54 UTC</date>
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      <langusage>
        <language langcode="eng">English</language>
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    <did>
      <physloc id="physloc0001">ASC Stacks -- Range 10 -- Section B -- Shelf 4 −− 2 Boxes</physloc>
      <container type="box" parent="physloc0001">
                  Box No. 01-02              </container>
      <unittitle encodinganalog="3.1.2">Alfred Reed papers</unittitle>
      <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">ASM0436</unitid>
      <unitdate normal="1966/1984" encodinganalog="3.1.3">1966-1984</unitdate>
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        2 Boxes    </physdesc>
      <repository>
        <corpname>University of Miami Special Collections</corpname>
        <address>
          <addressline>1300 Memorial Drive</addressline>
          <addressline>Coral Gables</addressline>
          <addressline>FL</addressline>
          <addressline>United States</addressline>
          <addressline>33146</addressline>
          <addressline>Telephone: (305) 284-3247</addressline>
          <addressline>Fax: (305) 284-4027</addressline>
          <addressline>Email: asc.library@miami.edu</addressline>
          <addressline>https://library.miami.edu/specialcollections/</addressline>
        </address>
      </repository>
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        <language langcode="eng">English</language>
        <language langcode="fre">French</language>
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      <origination encodinganalog="3.2.1">
        <persname id="atom_544269_actor">Reed, Alfred, 1921-2005</persname>
      </origination>
    </did>
    <bioghist id="md5-9ec2d9fdef40fe1d3602eb278800440d" encodinganalog="3.2.2">
      <note>
        <p>Alfred Reed was a native New Yorker-born in Manhattan on January 25, 1921. His parents loved good music and made it part of their daily lives; as a result, he was well acquainted with most of the standard symphonic and operatic repertoire while still in elementary school. Beginning formal music training at the age of ten, he studied trumpet and was playing professionally while still in High School. He worked on theory and harmony with John Sacco, and continued later as a scholarship student of Paul Yartin.<lb/><lb/>After three years at the Radio Workshop in New York, he enlisted in the Air Force during World War II, and was assigned to the 529th Army Air Force Band. During his three and a half years with this organization, Alfred Reed became deeply interested in the Concert Band and its music. He produced nearly 100 compositions and arrangements for band before leaving the Service. Following his release, he enrolled at the Juilliard School of Music as a student of Vittorio Giannini. In 1948 he became a staff composer and arranger with NBC and, subsequently, ABC in New York, where he wrote and arranged music for radio and television, as well as for record albums and films.<lb/><lb/>In 1953 Mr. Reed became conductor of the Baylor Symphony Orchestra at Baylor University in Waco, Texas, at the same time completing his interrupted academic work. His Master's thesis was the “Rhapsody for Viola and Orchestra,” which later was to win the Luria Prize. It received its first performance in 1959, and was published in 1966. During the two years at Baylor he also became interested in the problems of educational music at all levels, especially in the development of repertoire material for band, orchestra and chorus. This led, in 1955, to his accepting the post of editor in a major publishing firm. He left this position in September, 1966, to join the faculty of the School of Music at the University of Miami, as Professor of Music, holding a joint appointment in the Theory Composition and Music Education Departments, and to develop the Unique Music Merchandising Degree Program at that institution.<lb/><lb/>With over 200 published works for Concert Band, Wind Ensemble, Orchestra, Chorus and various smaller chamber music groups, many of which have been on the required performance lists, Dr. Reed was one of the nation's most prolific and frequently performed composers. His work as a guest conductor and clinician has taken him to 40 states, Europe, Canada, Mexico, and South America, and for six consecutive years, six of his works have been on the required list of music for all Concert Bands in Japan. He left New York for Miami, Florida, in 1960, where he has made his home ever since. In the Fall of 1980, following the retirement of Dr. Frederick Fennell, Dr. Reed was appointed conductor and music director of the University of Miami Symphonic Wind Ensemble.</p>
      </note>
    </bioghist>
    <odd type="publicationStatus">
      <p>Published</p>
    </odd>
    <odd type="descriptionIdentifier">
      <p>ArchonInternalCollectionID:797</p>
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    <scopecontent encodinganalog="3.3.1">
      <p>Alfred Reed was a composer and conductor who later became a professor and music director at the University of Miami. The Alfred Reed Papers contains condensed scores, full scores, conductor and scores of J. S. Bach's music, all by Alfred Reed. Also included is an autographed score by Brazilian composer Hector Villa-Lobos.</p>
    </scopecontent>
    <controlaccess>
      <corpname role="subject">University of Miami. School of Music</corpname>
      <corpname role="subject">University of Miami. Wind Ensemble</corpname>
      <persname role="subject">Villa Lobos, Heitor</persname>
      <genreform>Sheet Music</genreform>
    </controlaccess>
    <phystech encodinganalog="3.4.3">
      <p>Items from this collection are kept on-campus and may be requested from the first floor Kislak Center in the Otto G. Richter Library at University of Miami.</p>
    </phystech>
    <accessrestrict encodinganalog="3.4.1">
      <p>This collection is open for research.</p>
    </accessrestrict>
    <userestrict encodinganalog="3.4.2">
      <p>Alfred Reed Papers Finding Aid © 2009 University of Miami. All rights reserved. Requests to reproduce or publish materials from this collection should be directed to asc.library@miami.edu.</p>
    </userestrict>
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                  1              </container>
          <unittitle encodinganalog="3.1.2">Box 1</unittitle>
          <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id1840</unitid>
        </did>
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          <p>Published</p>
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                  1              </container>
            <container type="folder">
                  1              </container>
            <unittitle encodinganalog="3.1.2">Johan Sebastian Bach - conductor scores (larger size)</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id1842</unitid>
          </did>
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            <p>Published</p>
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            <p>Scores published by Kalmus Orchestra Library, 1981: Come Sweet Death (adapted &amp; arranged by Alfred Reed) Jesu, Joy of Man's Desiring (adapted &amp; arranged by Alfred Reed) Thus Do You Fare, My Jesus (freely transcribed by Alfred Reed)</p>
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                  1              </container>
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                  2              </container>
            <unittitle encodinganalog="3.1.2">Full scores</unittitle>
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            <p>Published</p>
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          <scopecontent encodinganalog="3.3.1">
            <p>Hoe-down from Five Dances for Five Clarinets Prelude and Capriccio (Full Score) Prelude and Capriccio (Condensed Score) Sarabande from Five Dances for Five Clarinets</p>
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            <unittitle encodinganalog="3.1.2">Full scores</unittitle>
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          <odd type="publicationStatus">
            <p>Published</p>
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            <p>A Ceremonial Fanfare for Symphonic Band Afro from Five Dances for Five Clarinets Guaracha from Five Dances for Five Clarinets Hora from Five Dances for Five Clarinets March Variations for Eb Soprano Clarinet and Piano</p>
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                  2              </container>
          <unittitle encodinganalog="3.1.2">Box 2</unittitle>
          <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id1841</unitid>
        </did>
        <odd type="publicationStatus">
          <p>Published</p>
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          <did>
            <container type="box">
                  2              </container>
            <container type="folder">
                  1              </container>
            <unittitle encodinganalog="3.1.2">Condensed scores</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id1847</unitid>
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          <odd type="publicationStatus">
            <p>Published</p>
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          <scopecontent encodinganalog="3.3.1">
            <p>A Festival Prelude A Little Concert Suite El Camino Real - A Latin Fantasy Prelude Op. 9 No. 1 (by Alexander Scriabin, adapted &amp; arranged by Alfred Reed) Prelude and Capriccio Pro Texana Queenston Overture Three Revelations from the Lotus Sutra, I. Awakening Three Revelations from the Lotus Sutra, II. Contemplation, III. Rejoicing Viva Musica!</p>
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                  2              </container>
            <container type="folder">
                  2              </container>
            <unittitle encodinganalog="3.1.2">Full scores</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id1848</unitid>
          </did>
          <odd type="publicationStatus">
            <p>Published</p>
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          <scopecontent encodinganalog="3.3.1">
            <p>A Christmas Celebration (of Songs and Carols) A Little Concert Suite Danza Caribe El Camino Real - A Latin Fantasy Garden of Proserpine, The Golden Jubilee Hounds of Spring, The Prelude Op. 9, No. 1 (by Alexander Scriabin, adapted &amp; arranged by Alfred Reed) Pro Texana Queenston Overture Rushmore (Full Conductor Score) Second Century (Full Conductor Score)</p>
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          <did>
            <container type="box">
                  2              </container>
            <container type="folder">
                  3              </container>
            <unittitle encodinganalog="3.1.2">Full scores</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id389229</unitid>
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          <odd type="publicationStatus">
            <p>Published</p>
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          <scopecontent encodinganalog="3.3.1">
            <p>Second Suite for Band (Latino-Mexicana) Tableau (by Robert Jagar) Third Suite for Band (Scenes de Ballet) Three Revelations from the Lotus Sutra, I. Awakening Three Revelations from the Lotus Sutra, II. Contemplation, III. Rejoicing Viva Musica!</p>
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            <container type="box">
                  2              </container>
            <container type="folder">
                  4              </container>
            <unittitle encodinganalog="3.1.2">Johan Sebastian Bach - full conductor scores</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id389230</unitid>
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            <p>Published</p>
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            <p>Forget Me Not, O Dearest Lord God Still Lives! If Thou Be Near Jesu, Joy of Man's Desiring My Heart Is Filled With Longing Prelude No. 4 Sheep May Safely Graze Sleepers, Awake!</p>
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            <unittitle encodinganalog="3.1.2">Premiere Sonate-Fantaisie Desesperance pour Piano et Violon, by Hector Villa-Lobos, autographed</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id389231</unitid>
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            <p>Published</p>
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                  2              </container>
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            <unittitle encodinganalog="3.1.2">Geraldine D. Rasmussen sheet music (found in Alfred Reed Collection)</unittitle>
            <unitid encodinganalog="3.1.1" countrycode="US" repositorycode="US-FQG">id389232</unitid>
          </did>
          <odd type="publicationStatus">
            <p>Published</p>
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          <scopecontent encodinganalog="3.3.1">
            <p>A Soldier (Poem by Robert Frost) All Heaven and Earth (from poem "Childe Harold" by Lord Byron) In Their Dust Ye Trod (from poem "Childe Harold" by Lord Byron) Prisoner of Chillon, The (Poem by Lord Byron) Revolutions (Poem by Matthew Arnold) Spring Pools (Poem by Robert Frost) There! Is Mosgiel Farm (Poem by William Wordsworth) Ursa Major Ye Stars (from poem "Childe Harold" by Lord Byron)</p>
          </scopecontent>
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