This collection contains fragmentary texts and images documenting cultural expressions from the Caribbean and South America. Many of the transitory materials grouped under ephemera include posters, postcards, leaflets, tracts, special editions, programs and menus published in countries such as the Bahamas, Brazil, Cuba, Curaçao Grenada, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago.

Winning Charter Awards submission. The submission packet presents “a graphic architectural code” for a specific Caribbean locale and models a novel approach for getting to the core of “what matters” in an architectural pattern language.

Slide photographs of Norman's Cay house. Print photographs of the architectural model.

The Latin American and Caribbean photograph collection brings together various photographic materials owned by the University of Miami that depict these two regions. Currently, the collection holds a 1929 photograph album of the Bahamas made by Dr. and Adelande Dolley; a 1913 photograph album of Costa Rica, Panama, and Jamaica; a two-volume photograph album set of the Roxana Petroleum Corporation's activities in Mexico, dated 1920-1923; a set of 88 photographs of various parts of the Dominican Republic; and a collection of 739 photographs (most of which are in two photograph albums) from 1925 to the 1940s documenting the family and social life of Mr. & Mrs. E. W. Monroe and their three children while living in suburban Buenos Aires, Argentina, 1925 to 1929, and subsequently back at the family homestead in Monticello, Indiana.

This collection contains a collection of writings and research from local historian, playwright, director, and teacher, Sandra Riley, and poet, teacher, and musician, Peggy C. Hall. The materials currently include manuscripts, research notes, journals, interviews, drafts, playscripts, ephemera, poetry, and other materials pertaining to their life's work and writings.