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Documento
Título
Program for Haiti: A drama of the black napoleon, presented by the federal theatre project, works project administration, at Daly’s Theatre, New York
Data(s)
- 1938 (Produção)
Dimensão
1 item
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História biográfica
Nome do produtor
História biográfica
Elementos de conteúdo e estrutura
Âmbito e conteúdo
Program for Haiti: A Drama of the Black Napoleon, Presented by the Federal Theatre Project, Works Project Administration, at Daly’s Theatre, New York, New York
This program documents one of the most notable dramatic productions presented by the Federal Theatre Project (1935-1939) of the United States Works Project Administration. The play Haiti: A Drama of the Black Napoleon premiered in New York City at Harlem’s Lafayette Theatre in March 1938, and later moved to Daly’s Theatre on Broadway, as reflected here. This was four years following the end of the 1915-1934 U.S. occupation of Haiti, at a time of considerable literary, theatrical, and wider artistic interest in Haiti-focused work. Originally written by William DuBois, a white New York Times journalist and editor, the play was transformatively re-worked by Maurice Clark, African American director of the Federal Theatre Project’s Harlem unit. Mary Renda notes that what had been originally, “a morality play about the grave dangers of miscegenation,” became by the time the play premiered to popular acclaim in Harlem, “a dramatization of the black struggle for freedom.”1 The production of Haiti: A Drama of the Black Napoleon was one of the plays criticized by members of the U.S. House of Representatives’ Committee on Un-American Activities, in advance of the Federal Theatre Project’s de-funding in 1939. - Kate Ramsey, Associate Professor, University of Miami Department of History - November 25, 2019. - Project funded thanks to the Andrew W. Mellon CREATE Grant.
1.Mary Renda, Taking Haiti: Military Occupation and the Culture of U.S. Imperialism, 1915-1940 (Durham: University of North Carolina Press), 286.