The collection consists of published and unpublished articles written by and about Agustín Blázquez, correspondence, and materials about his documentary, “Covering Cuba.”

In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.

In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.

This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.

The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.

Located in the heart of Coral Gables, ArtSpace Virginia Miller Galleries have served as a launching pad for budding young artists in South Florida and Latin America for over 44 years. This collection contains several publications and gallery catalogs that discuss many of the exhibits Virginia Miller and her colleagues have helped pioneer.

Ephemera, exhibition catalogs, newsletters, and books related to Miami's contemporary art scene. Items featured in the collection document much of César Trasobares' personal life work as a local Cuban-American artist whose pieces often illustrate ties to his heritage as well as touching upon various topics, such as poverty, homosexuality, religion, social issues, and personal expression.

The Dan Rose art collection contains 32 original acrylic paintings (5 x 7 in.) by Dan Rose and three of his self-published booklets on his works.

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

This collection documents the works of noted Haitian Vodou priest, healer, educator, and performance artist of “electro-Vodou music,” Erol Josué. He has spent much of his career passionately practicing the Vodou religion and advocating to keep it alive through his performance art and by lobbying against government restrictions on religious practice. Items in the collection specifically focus on Josué's work as a healer and performance artist. It includes newsclippings and ephemera related to his performances, which feature Vodou and his Haitian cultural heritage as prevailing themes.

His full oral history, as part of the Haitian diaspora oral history collection, can be accessed from this page (see: Related archival materials note).

This collection contains several contemporary exhibit catalogs from other universities around the United States with concentrations in their libraries and Special Collections departments.

This collection contains correspondence, manuscript drafts, notebooks, drawings, sketchbooks, photographs, planners, journals, college notebooks, and other ephemera from Gloria Grasmuck's notable life and career as an artist, writer, and translator.

The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.

Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."

Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.

This collection contains exhibit promotional materials, correspondence, periodicals, news clippings, sketchbooks, art work, photographs, audio-visual materials (VHS, CD-Rs, floppy disks, Hi8 videocassette tapes), administrative files, and other related archival materials from the local Miami artist, Karen Rifas.

The Kevin Arrow Miami, Music, Art, and Culture collection contains zines, periodicals, ephemera, flyers, photographs, art work, posters, audio-visual material (CDs, CD-ROMs, and vinyl records), and other related archival materials.

1 framed print numbered 93 our of 100, titled "93/100 'Kids'” and signed "R + R 01" to represent Roberto M. Behar and Rosario Marquardt's R&R studios. Depicts two students on pedestals, one pointing up and one pointing down, posed in parody of Plato and Aristotle in Raphael's School of Athens fresco.

The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.

The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.

The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.

The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.

"Original artwork, including penciled sketches and watercolor mock-ups of small posters, created by this California artist for the San Francisco-based shipping line, The Grace Line (working here through a local advertising agency). The bulk of Ramm's art and papers were donated to the Smithsonian's Archives of American Art in 1994; subsequently, little of Ramm's work has appeared on the market. The group of work for a specific advertising campaign in 1931-1932 includes four watercolor mock-ups of posters/store cards from the Grace Line's 'Havana and Return' cruise; watercolor mock-up of poster for Grace Line's 'California to Victoria and Seattle cruise;' watercolor painting of an untitled cruise ship sailing along a rock coast; Ramm's scrapbook for art created for Grace Line menu cards; plus nine different sketches on tissue paper, being Ramm's rough drawings for menu card ideas." -Marc Selvaggio, Bookseller, A.B.A.A.

Photographs, negatives, sides, sketches, drawings, etchings, watercolor and oil works, correspondence, clippings, exhibition programs and catalogs, and other related materials created and collected by artist Richard Merrick (1903-1986) and the Merrick family.

Handmade books/booklets by Ruth Light Stanley; she also referred to them simply as "cards". They were created from approximately the mid-1980s through 2000.

This collection contains research notes, reports, documents, pamphlets, and 3D objects from Stephen Stein, a history professor at the University of Miami. Most of his research captures the history, traditional, and political climate of South America in the 20th century with a focus on Peru as a center of study. The Peruvian retablos are from the master retablo maker, Nicario Jimenez Quispe, who inherited his skills from a long line of retablo makers in Alcamenca in Ayacucho, Peru, which is located in the Andes.